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Death becomes her: A Brief List Of Everyone Who Died @finborough

For a natural process, death is not a topic that comes up naturally for people. We ask how people are doing but expect the response to be “I’m great”, not “I’m not dead yet”. And so for the main character in A Brief List of Everyone Who Died, Graciela has a death issue. Starting with when she was five and found out only after the matter that her parents had her beloved dog euthanised. So Graciela decides that nobody she loves will die from then on. And so this piece becomes a fruitless attempt at how she spends her life trying to avoid death while it is all around her. It’s currently having its world premiere  at the Finborough Theatre . As the play title suggests, it is a brief list of life moments where death and life intervene for the main character, from the passing of relatives, cancer, suicides, accidents and the loss of parents. Playwright Jacob Marx Rice plots the critical moments of the lives of these characters through their passing or the passing of those around them. Howeve

Land of hope and glory: The Melting Pot @Finborough

Poor old worn out Europe. Racked by violence and injustice only America serves as hope for a new post race new world. Given that part of making America great again nowadays is to close the doors to immigration. Or at least to certain people and religious groups. This hope seems misplaced.

Yet this is only part of the message from Israel Zangwill’s 1908 play The Melting Pot. It’s having a brief run at the Finborough Theatre and is another Finborough rediscovery.

You’ll walk away fascinated by the hope and optimism of this piece as migrants take their place in this new world. But along the way you’re never in doubt of the struggles that lie ahead. Survival is dependent on what money can be made. And if you aren’t part of the right religion your options are limited.

It opens in the home of an immigrant Jewish family in New York. Mendel Quixano (Peter Marinker) scrapes out a living as a musician and has taken in his nephew David (Steffan Cennydd). He too is a musician who barely survived the Kishinev pogrom. Yet he’s inspired by America and is writing a symphony for his new land.

David and his music has captivated Vera (Whoopie van Raam). She’s a revolutionary aristocrat who fled Tsarist Russia, and doesn’t realise David’s Jewish. She’s used her connections to get his music performed. But when her father, a Russian officer, arrives on the scene, the past and its horrors come back to the present.

This melodrama of optimism and moralising is served well with the cast. They bring out the human side to the struggles and prejudices they encounter.

Cannydd and van Raam convey the optimism and hope of the piece as the unlikely lovers.

Alexander Gatehouse as Quincy Davenport, the playboy son of a rich plutocrat is deliciously smarmy. Katrina McKeever almost steals the show as the Irish maid to the Quixano’s who over the course of the play becomes an expert on Jewish life.

Directed by Max Elton, The Melting Pot has its final performances at The Finborough Theatre on 17-19 December.


Photos by Christopher Tribble

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