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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

DIY whodunit: Murder, She Didn’t Write @lsqtheatre @degreesoferror

Improvised comedy can be hit or miss, but Degrees of Error might be onto something with this do-it-yourself whodunnit. It’s currently at the Leicester Square Theatre on the last Sundays in February, March and April. It could be described as what Agatha Christie might have written if she hit the sherry a bit too much. 

Audience suggestions set the scene for the murder and the murder weapon. One person in the audience gets to choose both the murderer and the victim by picking their name from a deck of cards. 

The Leicester Square Theatre with its range of bars inside the theatre sets the scene to loosen up the audience with ideas. It seems to work.

Much is up for grabs, in this unscripted murder mystery. Not only is the victim unknown until part way through the show to the cast, but so is the murderer. 

The end result of this in February was it was at a hen night when the future Bride was murdered by her friend. The murder weapon was a wet tea towel. 

It’s fascinating and hilarious to watch the cast wrestle with the material (and each other) to create a motive and slightly silly murder. 

With some clever devices - such as the narration by the inspector and sharp changes of scenes - the action flows. Even if the motives and scenarios are a bit suspect. 

Founded in 2010, Degrees of Error are the first resident theatre company at the brand new Bristol Improv Theatre - the first theatre in Britain dedicated to the art of improvisation. 

Degrees of Error will return with Murder, She Didn’t Write at the Leicester Square Theatre on Sunday 25 March and 29 April at 4pm. Get there early to the bar and enjoy.

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Photos by company

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