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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Two women in a boat: previewing The Gulf @TristanBates

Currently running at Tristan Bates Theatre is the European Premiere of The Gulf by Audrey Cefaly. An exploration of the challenges facing all relationships. Including LGBTQ+ ones...

Stranded on a boat together on a fishing trip in Alabama, two women are forced to confront their differences. Louisa Lytton and Anna Acton feature.

The Gulf made its world premiere as a short play in August 2010. It’s now been developed into a longer piece that premiered in 2016. It received the 2016 Edgerton Foundation New American Play award and was nominated for The Charles McArthur Award for Outstanding new Play. 

Directed by Matthew Gould, The Gulf continues until 5 May at Tristan Bates Theatre.


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