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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Duelling sopranos, love gone wrong: Der Schauspieldirektor and Bastien Und Bastienne @Popupoperauk

The singing is always the key to Popup Opera’s touring operas in small or unusual spaces. Along with the chance to see some overlooked or minor pieces by famous composers. Again the company does not disappoint with its Mozart double bill: Der Schauspieldirektor and Bastien Und Bastienne.

The first half of the piece, Der Schauspieldirektor, is essentially half an hour of music stretched out to a mildly amusing farce. Tradition has it that the dialogue around this piece is rewritten. Here the scenario is duelling auditions between two sopranos when a struggling opera company can only afford one. It’s an amusing premise that becomes a bit silly in its execution. But there’s still some serious music making. Particularly when older diva Sarah Helena Foubert and younger diva Hazel McBain spar in a thrilling duet.

In the second half we have Bastien Und Bastienne. Both consult a relationship guru (updated from a soothsayer) when one suspects the other is having an affair. After a series of songs about love and longing all ends well. Again it’s well sung by the performers, but the stand out comedy comes from the captions which send up the opera as much as anything else.

Part of the thrill of Popup Opera is also the ability to stage operas in unusual venues. I caught the performance at the Bethnal Green Working Men’s Club. With its ever present smell of stale beer and urine, it seemed like a perfect location for a struggling arts company to stage auditions. But the venue also pushes you up close to the performers and allows you to admire the mechanics of the singing too.

Directed by Anna Pool with music direction by Conal Bembridge-Sayers, Popup Opera’s Mozart double bill of Der Schauspieldirektor and Bastien Und Bastienne is travelling at various locations through until the end of July. Check their website for further details.

⭐️⭐️⭐️

Photos by Robert Workman




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