There’s something about Elena: It Happened In Key Key West @CharingCrossThr

This isn’t your typical West End Musical at the Charing Cross Theatre. Creepy German radiologist Von Cosel treats a woman, Elena, for tuberculosis. She dies. Two years later he digs her up and lives with her. Parading her about, propping her up for the following years, Weekend At Bernies style. 

He’s convinced that she is the vision of the woman he would spend his life with. As she decomposes, he imagines a life of bliss. On one level it’s not a very convincing musical. The score at times seems to mimic Andrew Lloyd Webber. It’s also overlong with superfluous exposition. But there’s something likeable about this musical. It’s polished and has some terrific performances.

Other famous necrophiliacs were weird. You’d never want to eat a curry from Dennis Nielsen. Nor would you want to be a hospital patient when Jimmy Saville was around. But Von Cosel was seen as mostly harmless. The fake news of the day pinned him as a hopeless old romantic. They put Elena’s do-it-yourself mummified body on display for a visitors to pay a fee to see. The publicity put Key West on the map. It’s quintessential Americana and so the musical gets away with a lot. 

Leading the cast is American actor Wade McCollum as the radiologist and necrophiliac Von Cosel. He’s a song and dance man with the right amount of creepiness to put you at ease before freaking you out. Alyssa Martin as his love interest Elena is disinterested in him in real life and madly in love with him in death.

With book, music and lyrics By Jill Santoriello, book and additional lyrics by Jason Huza, book and original concept by Jeremiah James. And directed Marc Robin, It Happened In Key West is at Charing Cross Theatre until 18 August.

⭐️⭐️⭐️⭐️

Photos by Darren Bell

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Ramin Karimloo: the unstoppable beast

Image
Iranian-Canadian musical theater actor Ramin Karimloo is known for his work in the West End, performing in The Phantom of the Opera and Les Misérables, as well as debuting the role of the Phantom in Andrew Lloyd Webber’s Phantom of the Opera sequel, Love Never Dies. Recently he finished a run playing Valjean in Les Miserables on Broadway and gained attention for not just his vocals but his physical strength. He is back in London and getting ready for a show (tonight) at the Palladium on 16 July. Later in the year he will be joining Victoria Hamilton-Barritt and Kerry Ellis in UK premiere of the off-Broadway musical Murder Ballad at the Arts Theatre. The Palladium show will be another opportunity to see Ramin and his band mix country and bluegrass with musical theatre (and vice-versa), after sellout shows at Islington’s Union Chapel in January. I sat down with Ramin shortly after his return to London. We talked about the shows, his fitness regime and how he is looking for a goo
Read more...

The sweet smell of progress: The Sugar House @finborough

Image
Watching The Sugar House at the Finborough Theatre reminded me of the comment made by journalist  Evan Whitton that Sydney was the most corrupt city in the world. Except, of course, after Newark, New Jersey and Brisbane Queensland. But corrupt cops and underworld figures of the Sydney scene are only part of this epic family story that spans three generations of a working-class Sydney family. It's currently playing at the Finborough  Theatre. The story opens with Narelle (Jessica Zerlina Leafe) looking over a new conversion property on the former site of a sugar refinery in Sydney. It was near where she grew up. She's a lawyer now and could afford to buy one of these bland modern conversions. But all she can see are memories of the place where she grew up with her mother and grandparents.  What unfolds next focuses on the harsher side of the lucky country. Where jobs were precarious and poverty, poor health and crime were not too far away. The police were a force to be feared.
Read more...