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A little less conversation: After Sex @Arcolatheatre

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According to research, millennials in rich countries are having sex less these days. But they were prepared to talk more about it. So, it is no surprise to see a story about what happens when a series of no-strings-attached encounters start to become attachments. And the conversations arising from it. Such is the premise of After Sex, Siofra Dromgoole’s two-hander of the conversations afterwards. It’s not particularly sexy or erotic, and the snappy pacing and short scenes sometimes make you wish they stayed longer to finish the conversation. Nevertheless, it is still a funny and, at times, bittersweet picture of single lives in the big city. It’s currently playing at the Arcola Theatre .  He is bi and works for her in an office job. She is neither ready for a commitment nor to let the office know what’s happening. He isn’t prepared to tell his mum there’s someone special in his life. He doesn’t speak to his dad, so his mum is his world. It’s a perfect relationship/arrangement. Or so it

Swatting: The Flies @BunkerTheatreUK


The Flies at The Bunker theatre is a chance for production company Exchange Theatre - which specialises in translating plays for English audiences - to return to the piece that put them on the map. With live music, video and eye-catching design, it’s an ambitious piece. But it seemed to miss any sense of drama. And it’s star actor Meena Rayann was off too.

Jean Paul Satre’s take on the Oresteia and the Electra myth, was written during the Nazi occupation of France. Fast forward seventy years, it's tempting to equate today’s new nationalists with yesterdays fascists. But it's a lazy comparison given the grand themes under exploration here. It feels more like an apparent dig at Nazi occupation, organised religion or group think over fake news, immigrant bashing and economic hardship.


It opens where two travellers approach Argos, a town where everyone is in mourning. One is Orestes in disguise. The city has become a dark place cursed with flies as punishment from the Gods since the murder of their king, Agamemnon. But Orestes is about to change that with the help of his sister, Electra.

The production uses video, live music and various theatrical tricks. But it feels heavy-handed in its execution. Flags from the city look like a reality television logo. Shouting and great expressions are the default position. When the flies arrive it’s more a cue for cast hysteria. Which seems unintentionally funny. Nothing is particularly subtle here.

It’s too bad as it's great that there are companies out there dedicated to translating plays into English, allowing London audiences to see works from around the world. Perhaps this one is of a time and place that has passed.

Directed by David Furlong, The Flies (or Les Mouches) by Jean-Paul Sartre is at The Bunker Theatre until 6 July. Check the website for dates when it's playing in English and French.

⭐️⭐️⭐️



Photos by Camille Dufrenoy


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