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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Stream of conscious: Black Matter


With theatre's closed over the past year and creatives out of work, it's not surprising to see that with everything going on, there's plenty to write about. Or put into a song cycle. Actor Giles Terera presents his new song cycle Black Matter inspired by the events he saw on London's streets in a streamed concert event this month. 

Living in London's Soho over the past summer of lockdown, Black Lives Matter, Eat Out To Help Out provided plenty of inspiration for observations about being a black man in Britain today. He notes that "I saw Soho shift from deserted tranquillity, where the only sounds were birds and church bells to the noise and heat of demands for social justice and civil unrest. I saw couples and families sneaking bike rides, and I saw violence – protests and peacemakers, homelessness and empty properties. People helping each other and people hurting each other. I saw confusion and hope and strength."

The topics vary from deportations and the Black Lives Matter movement to artist Khadija Saye's death in Grenfell Tower. Terera's musical influences vary from blues and jazz to musical theatre. Through these styles, his smooth vocals contrast against the sharp observations about what it is really like living in Britain today. But while there's much to be angry about, he's giving audiences enough positive messages so that they're ready to change the world. 

Filmed at Cabaret venue the Crazy Coqs in Piccadilly with just Terera a piano or guitar, the focus is on the man, the music and the message. Not every streamed concert can claim to look or sound as good as this one, and the attention to detail in getting this recording looking and sounding so good is to be admired. 

But the empty cabaret room with just the table lights on reminds us that we should be there. The stream could have benefited from more introductions of the material to give insight into the songs. But perhaps that might have to wait for when performed in front of an audience. 

The concert will be streamed and available globally from March 24 through to March 31 and runs for an hour.

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