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Wee liberties: Beauty and The Beast: A Horny Love Story at Charing Cross Theatre

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It may not be a tale as old as time, but it’s still the same old story, almost, with Beauty and the Beast: A Horny Love Story currently playing at the Charing Cross Theatre .  As the title suggests, this is not family holiday entertainment, but neither is it all gay gore. And a surprisingly large number of clever gags, a gorgeous-looking production, costumes, and an ensemble make for a classy night out with the occasional lashing of sluttiness.  It’s been a while since I have seen an adults-only panto. Like many things at the theatre—ticket prices, opening nights, age of social media influencers—things have changed. Happily, things have changed for the better here. The show focuses on assembling an excellent cast. Elaborate costumes by Robert Draper and David Shields’ set pieces help give this adult panto a touch of class. There are the usual lewd jokes and a quick flash of buttocks.   The setting of the story is in the northernmost village of Scotland, Lickmanochers. Not...

Dancing in the streets: The Theatre Channel


The Theatre Cafe continues its online series of showcasing performers with well-known songs from Broadway and the West End and available through  Stream.Theatre. The site has become a source for West End-flavoured entertainment over the past year, and its a musical revue and showcase for some of the West End's best-known performers.

Shot at the Theatre Cafe and locations around the West End The Charing Cross Theatre, the production uses the empty spaces that would typically be where tourists, workers and Londoners would be. The episodes are a celebration and reminder of what we've been missing with the closure of theatres. 

The performers include Kerry Ellis singing Always Starting Over from If/Then, Layton Williams singing Hold Me In Your Heart from Kinky Boots. And Katie Deacon performing Music And The Mirror from A Chorus Line across the empty streets of London, serving as a reminder about the pandemic's toll on both the city and the industry. 

There's an additional commentary for A Chorus Line as a tribute to choreographer, director and producer Bob Avian, who passed away in January. John Breglio, Baayork Lee, and Antonio Banderas talk about the background of the show and the 2019 Spanish Production. There are hopes to take this production to Broadway in the not too distant future. 

Directed by Thom Southerland with musical supervision by Michael England and choreography by Ashley Nottingham, The Theatre Channel's latest episode is available to stream now. Previous episodes are also available to download and enjoy at your leisure. 

Photo by Edward Johnson

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