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No country for old women: Old Ladies - at Finborough Theatre

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The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Dancing in the streets: The Theatre Channel


The Theatre Cafe continues its online series of showcasing performers with well-known songs from Broadway and the West End and available through  Stream.Theatre. The site has become a source for West End-flavoured entertainment over the past year, and its a musical revue and showcase for some of the West End's best-known performers.

Shot at the Theatre Cafe and locations around the West End The Charing Cross Theatre, the production uses the empty spaces that would typically be where tourists, workers and Londoners would be. The episodes are a celebration and reminder of what we've been missing with the closure of theatres. 

The performers include Kerry Ellis singing Always Starting Over from If/Then, Layton Williams singing Hold Me In Your Heart from Kinky Boots. And Katie Deacon performing Music And The Mirror from A Chorus Line across the empty streets of London, serving as a reminder about the pandemic's toll on both the city and the industry. 

There's an additional commentary for A Chorus Line as a tribute to choreographer, director and producer Bob Avian, who passed away in January. John Breglio, Baayork Lee, and Antonio Banderas talk about the background of the show and the 2019 Spanish Production. There are hopes to take this production to Broadway in the not too distant future. 

Directed by Thom Southerland with musical supervision by Michael England and choreography by Ashley Nottingham, The Theatre Channel's latest episode is available to stream now. Previous episodes are also available to download and enjoy at your leisure. 

Photo by Edward Johnson

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