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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

A hard rain’s gonna fall: Rain and Zoe Save The World @JSTheatre

The message in Rain and Zoe Save the World is topical and perhaps foretelling. This new play by writer Crystal Skillman sees a future in which young activists do more than block roads to protest climate change. They are taking direct action by blowing up things and taking facilities offline even if they risk their lives and become outlaws. It's currently playing at the Jermyn Street Theatre

It could be easy to dismiss the piece as a bit of a far-fetched coming of age story. But you could also see it as a harbinger of what is to come as pollution, wild weather and pandemics become part of everyday life. Something has to give, and the play suggests that a new breed of teenage activism might be the subsequent logical response. 

We open on with sixteen-year-old Zoe (Mei Henri) in her backyard. Suspended from school after an incident, she convinces her recently arrived neighbour Rain (Jordan Benjamin) to take his bike with them to drive across the country to find her mother at a protest.

But whether they find her mother or fall in love along the way is only part of the story. The other part is how they both find their voice among their past and present ghosts. 

Those expecting a conventional story about two outsiders might be frustrated by this journey. But the engaging performances, inspired production design, and terrific soundtrack (with music by Bobby Cronin) had me hooked from the outset. 

The production designed by Zoe Hurwitz is one of the most detailed ones to grace the space of this downstairs theatre. A revolve, astroturf, and a lot of imagination conjure up a road trip across America. It's beautiful to look at even before the actors take the stage. 

Directed by Hersh Ellis, Rain and Zoe Save the World is at the Jermyn Street Theatre until 12 March.


Photos by Alistair Muir

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