Featured Post

Love is all you need: The Island @cervantesthtr

Image
A drama set on the seventh floor of a non-descript hospital waiting room may not be everyone's idea of a great night at the theatre. But love and all other forms of the human condition are dissected in Juan Carlos Rubio's The Island. Translated by Tim Gutteridge, it feels like everything is up for grabs. What is love? Is it a bond between two women with a fifteen-year age gap? Is it the love between a mother and her son with a severe unknown disability? A wonderful life full of health and happiness is not always an option on the menu, and the choices may become a bit less palatable. Throughout a series of sometimes banal conversations, what comes out is a story of two women with lives that are separate and together. And while the piece becomes darker on one level as it progresses, it never ceases to fascinate and draw further insights into the couples. It's currently playing at the Cervantes Theatre .  A couple waits in a hospital waiting room for the outcome of an accident

Thanks for all the fish: An Evening Without Kate Bush @sohotheatre

Sarah-Louise Young in full flight 

A Kate Bush tribute for someone who isn't a Kate Bush fan might seem a daunting night at the theatre. Will the in-jokes fly over the head? Yes. Will the fear of being in a confined space of Kate Bush fans be overwhelming? Well, not if you brush up on a playlist beforehand. But An Evening Without Kate Bush is an initiation into the world of fandom and her music. Kate Bush, the phenomenon is equally revered and lovingly teased in this hour-long celebration of her music and cultural impact. It's currently playing downstairs at the Soho Theatre. 

Presented by Sarah-Louise Young, you don't have to be a Kate Bush fan to appreciate her work. And you'll be soon joining in to howling along to the Hounds of Love and partaking in all sorts of participatory theatre (in as much as socially distant theatre allows). And along with the songs and trivia, you learn what it is to be a Kate Bush fan (or fish as they are known). 

Publicity shot for Sarah-Louise young

Young is an expert teacher in the crazy world of Kate Bush fandom and tribute acts. With a mix of impeccable comic timing, eighties nostalgia and strong vocals, she takes us along a brisk journey of the life and music of Kate Bush so far.

With an array of comic costume changes, she interprets a range of songs from Kate Bush and how her fans see them. Including a correctly pronounced Babooshka song, at the suggestion of a Russian fan, changing the emphasis of the words and putting the rhythm out. But hilarious all the same. 

Young also recounts the impact of Kate Bush on her younger self through a school presentation of a Kate Bush song, complete with dance movement and a borrowed leotard that falls flat. But failure only serves to strengthen the passion for the music. 

I suspect the assumption is that you will too become a convert after an hour of the music. But that need not be the case. Music is a personal choice. But what is clear is how Kate Bush moves and motivates her fans and inspires them in all sorts of ways. 

Co-written by Sarah-Louise Young and directed by Russell Lucas, An Evening Without Kate Bush plays downstairs at the Soho Theatre through 26 February.

⭐️ ⭐️ ⭐️ ⭐️ 

Photos by Clive Holland (live) and Steve Ullathorne


Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...