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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Crossfire: One Who Wants To Cross @finborough


One Who Wants To Cross is having its UK premiere at the Finborough Theatre. It is a topical exploration of people on the move. There are no names or nationalities in the piece. After all, this is a story we only know about through statistics and angry news headlines. 

By contrast, this story unfolds through the power of narration. The piece attempts to shed light on the ones who undertake informal or irregular migration, crossing borders by any means necessary. And the people and industries along the way helping them. For a price. 


Irregular migration and small boat crossings conjure up the rhetoric about hostile environments and posturing about getting tough on illegal immigration. In 2018 there were 299 small boats detected crossing the Channel. By 2021 there were over 28,000, and the estimate for 2022 was 40,000. Either the current policy is a failure, or there is no interest in changing the status quo. And while a flight may be cheaper and safer, travel rules conspire to prevent people from seeking this route for asylum. 

Part acted and partly narrated by Wisdom Iheoma, there’s an intensity in the piece as he addresses the audience, looking you directly in the eye as the character needs money, help and wherewithal to make the crossing. 

There is a simple traverse staging,  with a raised triangle that could be a boat or the divide between one land and the next.

The piece won multiple French awards and feels topical as it illuminates those complicit in the current status quo. If only we could be so brave on this side of the Channel. 

Written by Marc-Emmanuel Soriano, translated by Amanda Gann and directed by Alice Hamilton, One Who Wants To Cross is at the Finborough Theatre until 25 February.

⭐️⭐️⭐️⭐️



Photos by Ali Wright

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