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Same but indifferent: Laughing Boy @JStheatre

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Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre .  Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he

Crossfire: One Who Wants To Cross @finborough


One Who Wants To Cross is having its UK premiere at the Finborough Theatre. It is a topical exploration of people on the move. There are no names or nationalities in the piece. After all, this is a story we only know about through statistics and angry news headlines. 

By contrast, this story unfolds through the power of narration. The piece attempts to shed light on the ones who undertake informal or irregular migration, crossing borders by any means necessary. And the people and industries along the way helping them. For a price. 


Irregular migration and small boat crossings conjure up the rhetoric about hostile environments and posturing about getting tough on illegal immigration. In 2018 there were 299 small boats detected crossing the Channel. By 2021 there were over 28,000, and the estimate for 2022 was 40,000. Either the current policy is a failure, or there is no interest in changing the status quo. And while a flight may be cheaper and safer, travel rules conspire to prevent people from seeking this route for asylum. 

Part acted and partly narrated by Wisdom Iheoma, there’s an intensity in the piece as he addresses the audience, looking you directly in the eye as the character needs money, help and wherewithal to make the crossing. 

There is a simple traverse staging,  with a raised triangle that could be a boat or the divide between one land and the next.

The piece won multiple French awards and feels topical as it illuminates those complicit in the current status quo. If only we could be so brave on this side of the Channel. 

Written by Marc-Emmanuel Soriano, translated by Amanda Gann and directed by Alice Hamilton, One Who Wants To Cross is at the Finborough Theatre until 25 February.

⭐️⭐️⭐️⭐️



Photos by Ali Wright

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