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A night at the opera: That Bastard Puccini! (Park Theatre)

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It’s hard to imagine that it’s only been 130 years since Puccini first premiered La Boheme. Nowadays, it’s a revered classic, and guaranteed to be on any opera company's annual programme if it needs to stay afloat. It’s a crowd pleaser with its melodrama of poor, impoverished artists loving, starving and dying in Paris. But Puccini’s La Boheme had a less auspicious beginning, with one of his contemporaries accusing him of stealing his idea and being poorly received on its first outing. And that’s at the heart of That Bastard Puccini! Currently playing at Park Theatre , writer James Inverne uses the friendship and rivalry between the two composers, Puccini and Ruggero Leoncavallo, to weave a comic tale of creative frustration with an awful lot of facts and tidbits about the opera scene at the time. It’s part comedy, part music appreciation.  It opens with Leoncavallo (Alasdair Buchan) at home with his wife Berthe (Lisa-Anne Wood), cursing about Puccini’s latest work, which is drawn ...

Travelin' Through: Broken Toys @CervantesTheatr


Things are a bit different at the Cervantes Theatre when you see Broken Toys. You enter through the upstairs dressing rooms and go down to the theatre. It is a circuitous route, much like the story of Marion. You end up in the same place but have taken a different journey. And like what the old prostitute said. It's not the work but the stairs. And there before you is the theatre, but not entirely as I recall it. It feels like an intimate cabaret venue with tables and a shiny stage.

And there we are introduced to Marion. Marion grew up in a small town during the Franco regime. A place where looking a bit different could make you the subject of gossip and a threat to your life. And despite being assigned male at birth and the attempts of family and father figures, she was an outsider in her town. 


And so Marion sets off on a journey to the city. And in the shadows, she finds a place to hide. But with guidance from drag performer Dorian Delacroix begins to find her voice. Her journey ultimately takes her back to where she came from. 

It's a simple story boosted by engaging performances and a sense of time and place. Hayley Rose gives a nuanced performance as the unsure Marion, who is learning to become herself. So much that you feel like you are with her on this personal journey. As drag performer Dorin, Guy Woolf lights up the stage, especially when performing two cabaret songs in the piece. Miles Molan plays various supporting characters in Marion's life, including her love interests.

Small steps become significant, profound movements. And there's a reminder that politicians are eroding trans rights, such as those who espouse white Christian nationalism—a unique blend of racism, conspiracy, paranoia, wedge issues and a fascination with Russia. While most of it is in the  United States, there are the usual suspects and backers worldwide. A handy reminder that people are working hard to take away the rights and freedoms of others. 

Directed by Raymi Ortuste Quiroga, written by Carolina Román and translated by L. Finch, Broken Toys is at the Cervantes Theatre during Pride Month until 1 July.

⭐️⭐️⭐️⭐️

Photos by Elena Molina Martínez

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