Paul in London

We’re warned at the start of the show with an upbeat number that this is not the usual sort of musical. And it turns out to be just that. But with boundless enthusiasm and energy from its two leads, who deploy a range of voices and breathtaking energy to create a series of voices for puppet characters, a bedtime story becomes a silly oddball tale about four souls stuck in purgatory. With puppets. And various toilet humour references. It’s currently playing at Upstairs At The Gatehouse . The piece starts as a bedtime story. Daddy (Mark Underwood) is about to read a bedtime story for Louise (Sarah Louise Hughes). But her stomach felt funny, and soon, she went to the bathroom. Then, for reasons that seem to only make sense in the confines of the show, they start telling the story of four people who died in unfortunate circumstances in the bathroom. Depicted as puppets, they’re stuck in purgatory as St Peter doesn’t have enough space for each of them in the afterlife. And so begins a puppe...

Life's a dog in Men's Business. It's a nasty, cruel life where amongst the banality of everything, love, or something resembling a bit of it, exists out of a butcher's shop. And in between feeding dogs or chopping up offcuts of meat to sell as pet food, there's always time for sex and violence. The play gets into these dark and disturbing themes, inviting the audience to immerse themselves in this claustrophobic world. It's not a pleasant night at the theatre. Still, the intensity of the piece in the confined space of the Finborough Theatre and the exploration of these ideas make for an engrossing experience.   This is a new translation by Simon Stephens of Franz Xaver Kroetz's work. Initially published in 1972 and would later be expanded in the piece Through The Leaves, the action is set in a butcher's shop.  We're introduced to Charlie (Lauren Farrell), who inherited the shop from her father. Family don't seem to be around anymore. All she has...

The revolution is partially re-enacted to scare the pants off an unsuspecting midwestern American town in The Mosinee Project. The piece, which was initially seen at last year's Edinburgh Fringe, is a retelling of the actual fake communist invasion of 1950s America, organised by ex-communists and funded by the American Legion. It's also an attempt to understand why a town would decide to stage a mock communist takeover, what it says about fear, and how it was a harbinger for a much darker period that would mark the Red Scares and witch hunts of the 1950s. It's currently playing at the New Diorama Theatre . Writer-director Nikhil Vyas deconstructs this obscure historical event, exploring what drives fear and how the use of the media to generate attention can manipulate viewpoints while assembling various facts behind the planning and preparation of the day. This includes exploring the motivations behind two ex-communists—Joseph Zach Kornfeder and Benjamin Gitlow—brought in b...

A fascinating and daring act of defiance in Nazi Germany by a group of university students in Munich is given a slightly perplexing rock musical treatment in White Rose, the musical. Something seems amiss in this earnest and occasionally tuneful show. It lags more than it inspires, which is surprising given the tragic and compelling history of the real-life characters the show depicts. Given that young people are increasingly likely to vote for far-right parties across Europe, it’s an opportunity to look at a time when they had a different perspective on the future. Perhaps something has been lost in the translation or the larger space of the Marylebone Theatre where it plays.  The White Rose were a group of university students in Munich who sought to undermine the Third Reich through publication of a series of pamphlets urging passive resistance to the Nazi regime. Over a brief period between June 1942 and February 1943, they distributed their pamphlets across campus using ...