Paul in London

It is February, so it is long overdue for another production of Jason Robert Brown's The Last Five Years . This time at the Tabard Theatre in Chiswick. It seems like there isn't a month in London when you can't catch this show. And then during Edinburgh Fringe , there are usual competing productions of it, along side multiple productions of "Sweeney Todd" and musicals about infectious sexually transmitted diseases. It is understandable that this show is popular as it covers a range of emotions (sad, happy etc), gives two actors a chance to shine, and is potentially cheap to stage. The popularity of staging this show should not be confused however with the show being any good. The problem with The Last Five Years is it contains two unsympathetic characters who never connect with each other (let alone the audience). And the series of songs are of varying quality. Sure some of the songs are funny, but others come across as smug, insincere or unpleasant. Inspired ...

The Royal Opera posters for Anna Nicole are all over the tube network at the moment and they look great. There is also the following trailer for the opera. There is a growing buzz about this show (the Royal Opera is even getting news stories in  Marie Claire ) and so it will be fascinating to see what  Eva-Maria Westbroek , who I last saw in  Tannhäuser , does with the role when I catch it later this week...

Thursday night I caught the Merry Opera's new production of Troy Boy at Upstairs at the Gatehouse . The Merry Opera company takes opera productions and develops new English translations with a twist. It is a great concept, although in this case more abridging of the source material might have helped. I doubt there is much that would be missed from Offenbach's La Belle Hélène (the story of Helen of Troy) if an extra half hour was cut from it. Nevertheless there is some fine singing and performances in this occasionally sexy production. The energy and enthusiasm of the cast is without a doubt. I liked the concept of Helen stuck in suburbia and beginning to let her mind wander in a Greek restaurant. It  gives this otherwise odd premise some solid grounding. There were (at least on Thursday night) a few creaky moments with furniture bumped and props knocked over, but no doubt these will be ironed out as the run progresses. And this is such great value for a night out, with tic...

One thing that hit me seeing Company at the Southwark Playhouse Tuesday night, was how the opening few notes can really be an ear worm. I doubt anyone leaving the theatre after this production doesn't want to go up to someone and yell, "BOBBY! BOBBY! BOBBY-BABY!" Or perhaps punch somebody who comes up to them and says something like that. Company has no plot to speak of, but through a series of vignettes, gives some idea about Robert, a single straight(ish) man turning 35 and his smug married friends. Its about the lives of middle class New Yorkers, with their eccentricities and foibles, so you may find yourself struggling to see its relevance to modern day London. But of course this is Sondheim, it's a slick production with a great looking, and great sounding cast, so you can overlook that bit... Bobby, played by Rupert Young, is not an immediately likable character. But as the show progresses, Young's performance makes you feel as if you know him. Or at le...

The Children's Hour , which has just started previews at the Comedy Theatre is one of those blockbuster dramas with a fantastic cast that you just have to go see. Lillian Hellman's  dated 1934 play gets some serious star power here. With Keira Knightley and Elisabeth Moss in the lead roles, along with Ellen Burstyn, Carol Kane and Tobias Menzies you feel as though you should applaud everyone's entrance just because it is the thing to do. Despite running at the Comedy Theatre, the play is a drama set in an all-girls boarding school run by Karen and Martha (Knightley and Moss). When an angry student runs away from the school, she tells her grandmother that the two headmistresses are having a... (whispered so you can't hear...)  lesbian affair to avoid being sent back to school. Therein lies the drama and questions about why two women are setting up a boarding school in a country town, what is truth and why does Karen keep prolonging her engagement abound. Of course t...

Friday night I finally managed to catch Season's Greetings at the National Theatre . This revival of Alan Ayckbourn's black comedy has been showing since late last year and has received some great reviews . Set during the Christmas holiday period in the early 1980s, it focuses on an average English family Christmas where relationships have gone stale, children abound (although not on stage), and people have had a little too much to drink. I'm assuming that it is an average English family given the number of comments overheard during interval such as "that's a bit close to the bone" or "it reminds me of my family." These were also rather curious comments given that the first act's final scene must rank as one of the funniest on stage for some time. It involves a sexual tryst gone wrong and a rather annoying toy that blows a whistle and beats a drum. I guess there are some English proclivities I might not fully understand. Of course in some...

Shadow Catchers - V&A from Sound Films on Vimeo . The Victoria and Albert Museum has been running an excellent little exhibition since October last year on Shadow Catchers: Camera-less photography and I managed to take a look at it over the weekend. After brushing up on what a photogram is via the Art of Photography (basically its an image created by placing an object on light sensitive paper), we headed over to the V&A to look at some shadows... This exhibition is an opportunity take in some extraordinary pieces that leave a lot up to the imagination, or at least provoke it a little. The low light of the exhibition space helps, and adds a moody atmosphere. There is beauty with the simplicity of the works, particularly those that hinted at absent objects. They appeared less impressive when combined with other photographic techniques, although it is easy to appreciate the effort required in their production. It is at the V&A until February 20... Initial boo tho...

Just before it opened this week I caught a preview of The Black Swan , the Natalie Portman movie which currently has posters all throughout the tube network. It is a gripping film about paranoia, fear, dedication and broken nails. Portman plays the role of Nina, who is coming to grips with the leading role in Swan Lake, while fearing her understudy played by the sexually provocative Mila Kunis. You don't see much ballet so it is not a modern day The Red Shoes . It has more in common with films such as Polanski's The Tennant . The art is metaphor here and the central message surely has to be you can never try hard enough, as long as you stay away from broken mirrors and lesbian fantasies... The debate about whether it remotely resembles anything of life in the ballet will continue. This is a movie so one suspects it is as far removed from reality as possible. Winnona Ryder is supposed to be a brilliant ballerina in her decline but spends her small amount of screen time looking ...

The first attempt to see La Bohème at the Cock Tavern last month was thwarted by snow (and the subsequent obligatory transport disruptions), so it was a relief to catch it at the Soho Theatre on Tuesday night to see what the fuss was all about. This production of Boheme updates the story to the present day and is in English. The story is now in London Soho where poor struggling bloggers writers are trying to make ends meet. Mimi is an eastern European migrant worker who makes a bare living cleaning people's homes. When you read stories about homeless Poles eating rats , none of the problems the characters face in the opera seem far from the harsh realities for some of living in London today. While the singing is good (but not great), what sets this show a cut above anything else is the passion and emotion the cast convey. There is an awful lot of energy and enthusiasm here... At the end of the second act everyone is asked to make their way to the bar, and the show commen...

First impressions below of an emotionally charged and thrilling night at the theatre. It's return run at the Soho Theatre is until 20 February. More later... Listen! Listen!