Paul in London

It was a bloody night at the Courtyard Theatre Hoxton where I finally managed to catch Theatre of the Damned's Revenge of the Grand Guignol. Well it is not all blood and gore, but these four stories all have enough thrills, laughs and shocks to have you and the ice within your favourite beverage all aquiver... So much so that when the lady in front of @johnnyfoxlondon and I blew her nose, we both jumped. Last year's show in Camden was great, but this year was even better with stories that are even more compelling and some great performances. There is a melodramatic story about a mad doctor, a pensioner with a buried secret, a long distance relationship gone wrong and a beautiful woman trapped in a munitions factory. All of the stories have in common the ability to turn something ordinary into the unusual. And through some rather clever lighting and sound effects, even when things seem fine, you were on the edge of your seat. The show is part of the London Horror Festi

 Thursday evening I found myself at the launch event for The Show Must Go On , which is a rather nifty little game that brings together opera, cheap laughs and the iOS platform. Given all three are favourites of mine I downloaded it . It is very cute and quite amusing little game, recreating Covent Garden and backstage at the Royal Opera when everything goes wrong. The game puts you in the shoes of a stage manager and includes a series of mini games. Within these you have to undertake a variety of back stage tasks in order for the show to go on. I particularly liked running over the rooftops of Covent Garden chasing sheet music and dodging pigeons. Depending on how well you do, depends on how good the show is. So far I have only created rubbish shows... The game might be trying to tell me something but I will ignore that for now and keep practicing... An interesting collaboration between the Royal Opera , including its sound technicians singers from the Jette Parker Young Artist p

Three Days In May, is about the period shortly after Churchill becomes Prime Minister in 1940 and when Britain contemplated whether throwing in the towel and negotiating peace with a stronger, more powerful Germany was an option. It is currently playing to healthy audiences at the Trafalgar Studios . An early surrender seems today to be an unthinkable prospect. But at the time France was powerless to stop the German invasion and worried that without surrendering they would be annhilated. The British were outnumbered and feared suffering a humiliating defeat at Dunkirk. The play therefore unfolds with this context and debate. There is nothing like a bit of Churchill to get people standing to attention nowadays and reflect upon glories past. Or at least perceived glories past. As the play notes, Churchill commented that he expected history to be kind to him as he intended to write it. So it is a shame that the play doesn't attempt to throw more grey on a dark period in the country&#

Fine Artis Tree's production of Inzain under the railway arches at Queens Circus Battersea is an example of a great concept in bringing new theatre to the unlikeliest of places. The company specialises in pop up theatres and in this case is next door to a tile shop. It was a pity we didn't arrive earlier as the tile shop had closed and we could have done with some inspiration for our next mosaic, but we were somewhat distracted by the plethora of gastropubs in the Battersea area serving good quality food and had lingered longer than we should have over bangers and mash and burgers. The play is a two-hander by Leah Chillery , it tells the story of Zain who had a vision that he would become a player at Crystal Palace Football club and his battles with the club manager. The stage is set for battles over faith, entitlement and youth culture. And football. It is an interesting premise but the punches are often pulled. Also the vast space of a railway arch means that the audience ar

 Opening night of La Sonnambula at the Royal Opera was an opportunity for Eglise Gutiérrez to show off some incredibly light yet lingering high notes in this piece about jealousy, mistaken identity... And sleepwalking. It is a mildly silly opera but the piece by Bellini with its music and creative forces at work make you overlook these things and the let the action unfold in what looks like a large railway station foyer. The cast are great and rising star tenor Celso Albelo makes his Royal Opera debut as the jealous composer Elvino. But the real passion and drama was perhaps watching Gutiérrez and conductor Daniel Oren create music together. It was exhausting yet exhilarating and what any good night at the opera surely is about. Nothing too serious but lovely music set to a mildly amusing farce, complete with a domineering mother. It runs through to November 18.

Current advertisement around the Imax informs passers by, "Brazil is calling you." So that's what all the noise around Waterloo is...

The message from Shalom Baby, currently running at the Theatre Royal Stratford East appears to be that no matter what the circumstances are, there is always a group of people out there that are beneath you. At a time when people are feeling less sympathetic for rioting chavs, travellers building illegally on green belt land, migration from Europe (or elsewhere) and Broken Britain , it is an interesting topic for reflection. Shalom Baby is a love story initially set in 1930s Berlin. Events unfold as the daughter of a wealthy Jewish family falls in love with their black "Shabbles Goy", which is a term used to describe people who assist Jews on their Sabbath with tasks they are unable to do within Jewish Law. The play then moves forward to the present day where a mixed-race couple in modern and unprejudiced Brooklyn have to cope with a dysfunctional family unit. Writer-director Rikki Beadle Blair originally became interested in exploring information about information abo

John Leguizamo's latest show is in London for the next couple of weeks. It is a chance for him to showcase his ability to impersonate people, dance and tell some pretty funny stories based on his personal and professional life. Relating the experiences of working with Al Pacino, Patrick Swayze and Sean Penn are funny, but it is his personal life stories that are particularly engaging. When he talks about his depression that involves drinking too much coffee and not being able to sleep it, the delivery and visuals take it to a whole new level. It isn't stand up comedy, it's more intense, it's more personal and as it is so coherent and well written it is much more satisfying. He calls it therapy. Whatever it is, it is good value. And it works really well in the Charing Cross Theatre.

Earthquakes in London , currently on a national tour, is having a quick stop this week at the Richmond Theatre . It is an engaging and and entertaining take on global warming, political activism and childbirth. It seems even more relevant in the week that the population hits seven billion and the world teeters on the brink of economic collapse that these big issues are up on stage. They are made even more palatable with a great pop/rock soundtrack, dance, movement and some pretty sharp and incisive dialogue. The neuroses of the country are on show warts and all at times, and we're even told that we are all c--ts and / or we are fucked... Now that is my kind of play...

Woman: Oh yes that's my sort of thing Man: What that? Woman: Yeah that's my sort of thing when I'm talking about abstract landscapes...