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Christmas Mysteries: A Sherlock Carol @MaryleboneTHLDN

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A mash-up of Charles Dickens's A Christmas Carol and Arthur Conan Doyle's Sherlock Holmes would seem an unlikely pairing. Yet it provides a surprisingly fun Christmas-themed adventure. These two Victorian tales (albeit separated by about 40 years) provide the basis for an inspired adventure at Christmastime that just also happens to turn out to be a murder mystery as well. With lavish costumes, a few spooky set pieces and some good old-fashioned stage trickery with lights and a lot of smoke machines, it is hard to resist. It returns to the Marylebone Theatre for Christmas after a run there last year.  The premise is that after Holmes sees off the criminal mastermind Professor Moriarty, he is left adrift in London. People thought he was dead, and he might as well be. Disinterested in the misdeeds of other Londoners, Holmes has even given up on his friend Dr Watson. It's almost as if he has become a Scrooge. Or half a Scrooge, moping about shouting, "bah" in respon

Opera: La Sonnambula


 Opening night of La Sonnambula at the Royal Opera was an opportunity for Eglise Gutiérrez to show off some incredibly light yet lingering high notes in this piece about jealousy, mistaken identity... And sleepwalking. It is a mildly silly opera but the piece by Bellini with its music and creative forces at work make you overlook these things and the let the action unfold in what looks like a large railway station foyer.

The cast are great and rising star tenor Celso Albelo makes his Royal Opera debut as the jealous composer Elvino. But the real passion and drama was perhaps watching Gutiérrez and conductor Daniel Oren create music together. It was exhausting yet exhilarating and what any good night at the opera surely is about. Nothing too serious but lovely music set to a mildly amusing farce, complete with a domineering mother. It runs through to November 18.

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