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Eternal guilt: Dorian The Musical @SWKplay

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Dorian is a new musical that updates Oscar Wilde’s gothic novel from the uptight Victorian era to an undetermined period of gender fluidity and glam rock. On paper, musicalising the Picture of Dorian Gray to a period of glam rock, social media, and cheap shoes seems like a good idea. After all, Oscar Wilde’s gothic story is very adaptable. It has been the source of countless adaptations for the stage, television or movies. I was half expecting a trashy Dorian, similar to the early 1980s telemovie that shifted Dorian’s gender to a woman. This version falls into a so bad it’s good category with Anthony Perkins in a lead role, who as he ages under makeup starts to look like Andy Warhol.  And while it’s great to see a new show, a strong cast can’t compensate for such an earnest production with underpowered songs. There’s no sense of fun, and some curious staging and costume choices  -mismatched dresses, crocodile boots and furry suits - serve as a distraction. It’s currently playing at th

Opera: La Sonnambula


 Opening night of La Sonnambula at the Royal Opera was an opportunity for Eglise Gutiérrez to show off some incredibly light yet lingering high notes in this piece about jealousy, mistaken identity... And sleepwalking. It is a mildly silly opera but the piece by Bellini with its music and creative forces at work make you overlook these things and the let the action unfold in what looks like a large railway station foyer.

The cast are great and rising star tenor Celso Albelo makes his Royal Opera debut as the jealous composer Elvino. But the real passion and drama was perhaps watching Gutiérrez and conductor Daniel Oren create music together. It was exhausting yet exhilarating and what any good night at the opera surely is about. Nothing too serious but lovely music set to a mildly amusing farce, complete with a domineering mother. It runs through to November 18.

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