Paul in London

Seussical is a mash-up of Dr Seuss stories i nto a musical extravaganza that’s short in length and long on spectacle. It’s 75 minutes of flair, dazzle and fun songs. Perfect for little people, or people with little attention spans. It’s currently playing at the Southwark Playhouse . It’s a condensed version of the musical by Stephen Flaherty and Lynn Ahrens and based on the stories of Dr Seuss. Trimmed from it’s bloated original form, it allows the show with it’s catchy broadway songs to be fun without being too dull or sentimental. This version focuses on the stories Horton Hears a Who and Horton Sits on the Egg. Both of these stories focus on a well-meaning elephant who gets more than he bargained for by the other animals in the jungle. And there’s a girl who gets the “thinks” too much for her own good. The cat in the hat acts as the mischief-making ringmaster. Here he’s played by the mischievously entertaining Marc Pickering. With his deadpan expressions, he only has to look aroun

It’s hard not to like a show where the central character is a man in a giant bear suit. And with great performances, gorgeous costumes and high production values, Buttons is fun and entertaining. This is Charles Court Opera’s self-described “boutique panto” and it’s currently playing at the Kings Head Theatre . The show’s an eccentric yet panto-style reworking of the Cinderella story. Buttons centres around Cinderella’s teddy bear, Buttons. He’s is in love with Cinderella but as he’s a teddy bear it‘s all very platonic cuddly love. Until a fairy godfather visits Buttons and turns him into a man and things get interesting. And a little bit weird. Meanwhile and evil Prince Charming is persuing Cinderella. He’s been knocking off various fictional characters to say young and charming and sees Cinderella as his next victim. And Cinderella’s mother is trying to pull a policeman who is investigating the death of various fairy tale characters. Created by Charles Court Opera’s artistic direc

The Dark is Nick Makoha's retelling of an experience he tries to remember a forgotten journey. Fragments slowly come to light. It’s nighttime, November 1978. He’s four years old. Holding his mother’s hand they’re leaving Kampala buying safe passage. The journey of a young boy and his mother escaping a divided country under a brutal dictatorship is at the heart of this story. Writer and performer Nick Makoha is a poet, playwright, performer, activist and mentor. He’s also the winner of the 2015 Brunel African Poetry Prize. The piece is currently playing at The Ovalhouse Theatre until 1 December.

Everyo ne hates Iona. She talks too much. Her only friend is non-binary mate Pingu who doesn’t speak at all. So they decide to get the hell out of Crumlin on the next Ryanair flight. Afterall it is the part of Northe rn Ireland that has the Airport. But their decision to leave makes them a bit of a celebrity. Despite the enthusiastic cast, Lisa Carroll’s play Cuckoo doesn’t cover much. It’s currently playing at the Soho Theatre . It’s your typical young person wanting to break out of shitty town story. If you’re unfamiliar with Crumlin in Northern Ireland, you can only assume it’s pretty grim. Much of the action centres around a place called Texas Fried Chicken. We don’t get to know the characters well. As they fight and film each other for instagram stories they become less and less interesting. I was hoping at one point we would understand why the two central characters were friends. But in this ninety minute play dragged out to nearly two hours, we get one fight or dance routine aft

In Super Duper Close Up, Jess Latowicki is seven minutes early to a meeting. It’s a meeting that could give her work. I never arrive early to meetings so I figured this is a chance to find out what early arrivers do to pass the time. During this time, between taking the moral high ground for arriving early, she starts talking about her life and where it’s gone all wrong. It’s theatre we can all relate to. Funny, moving and often bizarre, it’s currently playing at The Yard Theatre. Latowicki with her robotic-like rapid fire delivery often feels like she’s a stand up comedian talking about her life. She gives phrases like “think pieces” and “scrolling” specific hand gestures so that they stick in your mind. Everything is filmed and projected. It’s like you’re trapped inside in an Instagram story or someone’s live feed on social media. At one point she moves into the audience. Then she takes someone to show her detailed beauty regime. A regime that’s described in French as it sounds more

Circus performers often seem out of this world. This Christmas The Briefs Factory , lands at the Leicester Square Spiegeltent. Briefs Factor is an all-male burlesque (or as they call it boylesque) group who use circus, drag and dance to show us a good time. The premise is they’re time-travelling aliens offering a message a hope and cheap thrills. And they don’t disappoint for a moment. With a pulsating soundtrack from music director Busty Beatz mixing disco, electronic and dance, this show never lets up. And when the entire cast come together this show is both breathtaking and breathless with it’s audacious spectacle and energy. It’s like watching a Vegas show up close. Holding the show together is host, emcee and artistic Fez Fa’anana. Even setting the ground rules for the night (no phones, no bad manners, no dramaturg) he’s hilarious. Then there are the performers. Mark “Captain Kidd” Winmill delivers both a beautiful aerial display and a slightly disturbing bearded lady drag act. T

There’s a hint of melancholy from the outset with Yerma. She’s been married for a while and without a child. While all those around her have children. But it still doesn’t prepare you for what lies ahead in this emotional reinterpretation that shifts the action to pre-revolution Cuba. Federico García Lorca’s tragic poem is currently playing at the Cervantes Theatre . Performed in both English and Spanish. The English translation is by Carmen Zapata and Michael Dewell. As Yerma, Leila Damiola inhabits the role and is astounding. She moves from hope and optimism to despair as the years go by without the child she craves. As each scene concludes its as if she is suffering a new heartbreak as she gradually realises she’s trapped in a loveless and barren marriage. Opposite her is Tom Whitlock as Juan, her cold and detached husband. He is often out all evening working the farm, and so he enlists his sister to watch Yerma. So people don’t talk. But they’ll talk anyway. Coco Mbassi is also a s