Paul in London

A monologue by a woman in a dirty rabbit onesie seems like the unlikeliest of dark tales. But Original Death Rabbit leaves no stone unturned. It‘s an exploration of millennial angst, mental illness and the quest for acceptance on the internet. Rose Heiney’s monologue which was originally broadcast on BBC Radio Four is currently playing at the  Jermyn Street Theatre .   It opens with a woman in a filthy pink bunny outfit. She is the original death rabbit. It started out as a stunt at university to reclaim the bunny from Playboy. But by accident she became an internet meme when she photographed wearing the outfit at a cemetery. Soon death rabbiting (wearing a bunny outfit in inappropriate settings) became a thing. Like planking or flossing. And then a promising career tumbles down a rabbit hole of internet forums, social media platforms, mental illness and addiction.  On the internet, anyone can be a star. Unless of course you have a theatre blog. If you’re controversial

There’s an awful lot of enabling going on in Anomaly. Liv Warden’s slick new play about three sisters whose father has been arrested for GBH after attacking their mother. He’s a Harvey Weinstein-like character who is the head of a big film studio. There’s money and film careers at stake. But not so much character development and so it’s a bit hard to understand any of them. It’s currently playing at the Old Red Lion Theatre . Everyone’s turned a blind eye to his past indiscretions and violent outbursts as there’s something in it for them. There’s Piper (Natasha Conley) the cold executive who is going to run the studio one day. If the other investors don’t pull the plug on the whole business following the scandal. Then there’s Penny (Katherine Samuelson) with the dazzling smile and breasts about to land a great film role thanks to her father’s connections.   But there’s a third sister, Polly (Alice Handoll). Out of rehab and slightly out of her mind. She’s meant to be the conscience of

If there is hell on earth, it just might be in Los Angeles. The city is full of petty crime, bored lap dancers and the cops who after putting you away end up sleeping with your wife. Chè Walker’s play which is having its European premiere at the Finborough Theatre is often difficult to follow. It’s set in the last remaining barrios of East Los Angeles. Perhaps the central message is that even when a cop sleeps with your wife, no amount of revenge sex will make it better. But the produciton has assembled a great cast to tell the tale of bored friends and acquaintances who use sex and anger to pass the time. Benjamin Cawley and Gabriel Akuwudike establish a fascinating bromance as the petty criminals and longtime pals, Karl and Blaz. Karl leaves him to take the fall for a botched robbery. Three years later out of jail, nothing for Blaz seems right. Sheila Atim is mesmerising as the weary lap-dancer Rosa. And there’s a great scene with Sasha Frost the sex worker and ex school mate of B

You’re never left doubting why Neil McCormick didn’t reach the mega stardom of his mate Bono from U2 in Chasing Bono. Bad luck and an endless search for that hit sound (rather than a unique one) seemed to mark his career. But in this contrived play you never really get the sense of his talent as a writer either. It’s current playing at Soho Theatre . The premise is that Neil (played by Niall McNamee) is kidnapped by a ganster Danny Machin (Denis Conway). Ganster Danny wants him to write some favourable stories, while being held on some remote Irish farm. While doing so he recounts in flashback his short life and how his quest for stardom led to failure. There’s not much insight into what makes a hit band here. Instead Neil comes across as a man obsessed by fame over anything else, including writing a decent song. Which makes it a bit difficult to care about the him or the story. And afterall if failure means you’re destined to become the chief music critic for a major national newspape

“Aren’t you worried you’re going to get picked on by the cast since you’re here on your own?” Asked a lady at the bar before catching Not Too Tame’s Cinderella : A Wicked Mother of a Night Out! No fear I thought... It’s all part of my quest to continue to seek out strange and unusual theatre. I wasn’t disappointed. This is a site specific production set in a pub near you for the Christmas holidays. It’s unique and worth checking out for people looking for something different to do this Christmas. Just like Hot Gay Time Machine at Trafalgar Studios, it’s best to go in a group. And don’t look too unique, fabulous or like a hipster as the cast are likely to single you out. Written by Luke Barnes, the show combines karaoke standards with some panto traditions and beer. The end result is a pretty funny and original interpretation of the Cinderella story. Cinderalla’s dad has died and she’s left working in his pub with her stepmother and two step sisters. A geezer called Prince comes by loo

Watching Hot Gay Time Machine by yourself at first is a bit like being the designated driver at a party. You’re just not drunk enough to appreciate it. But this high energy, high camp, gay gore extravaganza grows on you. The piece was a hit at Edinburgh Fringe and now has a brief run on the West End in the downstairs space of Trafalgar Studios . Written and performed by Zak Ghazi-Torbati and Toby Marlow, the time machine part of the story are the pivotal gay moments of Zak and Toby’s young lives. Mostly this involves gay sex and brief encounters in changing rooms. But from the moment Zak and Toby burst into the theatre foyer introducing themselves, the scene is set for a party of shimmying and sashaying. The stories are set to music performed by Marlow on keyboard. His lyrics tend to be less innuendo and more in your face. But even if artistically suspect, the filthier he gets the audience only seems to appreciate it more. Marlow with Lucy Moss had the hit show Six, which was about th

If you’re not into the Christmas spirit, you might be into Christmas dust. It’s the joyful powder the little elves put everywhere and it’s addictive. And distracts you from the shitty life you’re having right now... Anthony Neilson’s dark anti-festive comedy is having its first revival at the Southwark Playhouse . Nothing’s off limits in this tale set in some out of town warehouse on Christmas Eve. Gary (Douggie McMeekin) has called his mate Simon (Michael Salami) for help. He’s caught some little bloke dressed up as an Elf trying to break in (Dan Starkey). He’s tied him up with Christmas lights and not sure what to do. But as they debate calling the police, a prostitute by the name of Cherry (Unique Spencer) comes calling. She’s after some Powers Ranger figures for her son’s Christmas present. It’s payment for the blowjob she gave Gary earlier. And nobody is sure if the Elf is who he says he is, or just a junkie trying to get his next fix. That pretty much sets the tone in this short,