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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging

Fried chicken runs: Cuckoo @sohotheatre

Everyone hates Iona. She talks too much. Her only friend is non-binary mate Pingu who doesn’t speak at all. So they decide to get the hell out of Crumlin on the next Ryanair flight. Afterall it is the part of Northern Ireland that has the Airport. But their decision to leave makes them a bit of a celebrity.

Despite the enthusiastic cast, Lisa Carroll’s play Cuckoo doesn’t cover much. It’s currently playing at the Soho Theatre. It’s your typical young person wanting to break out of shitty town story. If you’re unfamiliar with Crumlin in Northern Ireland, you can only assume it’s pretty grim. Much of the action centres around a place called Texas Fried Chicken.

We don’t get to know the characters well. As they fight and film each other for instagram stories they become less and less interesting.

I was hoping at one point we would understand why the two central characters were friends. But in this ninety minute play dragged out to nearly two hours, we get one fight or dance routine after another. Someone swears, drinks cheap beer from a can and we move on to the next scene.

The production isn’t helped by a curious decision to stage the production in the traverse. If you’re sitting on the wrong side kills one of the more comic moments when Iona is trying to arouse the local lad.

Still the cast work best with what they’ve got. Caitriona Ennis has great comic timing as the talkative and eccentric Iona. Towards the end she declares she wears Crocs because she wanted to wear them. It comes across as a declaration of a person in search of the creature comforts of normal life.

Directed by Debbie Hannan, Cuckoo is at the Soho Theatre upstairs until 8 December.

⭐️⭐️⭐️


Photos by David Gill

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