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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
Theatre: Grand Hotel

Grand Hotel was a fabulous little diversion for the evening, the weekend, the month... The run at the Donmar has completely sold out and for good reason since the show is so stylish and cleverly put together with a great cast.

There is not much set just the back of the hotel sign and a few props. The blanks are filled in with songs and dancing. So who could fault that? The history of this musical is that it was based on the 1938 film, but also on a failed musicalised version in the 1950s by the collaborators on Kismet. Half the songs were replaced in this version and it probably was for the best as while the shift in music styles is noticeable it also helps keep things moving. There is no interval but the one hour and 45 minutes just breezes by.

This production tells a much darker story than the film, but that probably suits modern tastes. Best of all was the Baron, played by Julian Ovenden - who was eye candy and ear candy with his looks and tenor voice. Even better was the scene in which he was on the couch underneath Mary Elizabeth Mastrantonio looking into her eyes (and the rest). Sitting front row in the circle you could be forgiven for mistaking that he was making eyes with the audience... That's part of the intimate experience of live theatre that they don't always tell you about...

Housekeeping

As I drag this blog site out of mothballs, I will be looking at the format of the blog over the next few days. As more new postings go online the ones from 2003 will disappear as well I expect. The rest I will make up as I go along. And the blog will be more about me. Actually come to think of it, I am not sure if anyone will see any noticable changes!

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