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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p
Music: LSO and Elgar

One of the nice things about London is that

  • You can go online Sunday morning and see what's on, and book a ticket to see an evening of Elgar. It was the Elgar Violin Concerto and Symphony No 1 with the London Symphony Orchestra, Richard Hickox (conductor) and Tasmin Little (soloist for the violin concerto). It was a fabulous performance.
  • You can get a cheap seat at the Barbican to see it. Mine was £5 because I couldn't see the full orchestra, but I could see the double basses very well (for what that was worth) and the sound was excellent.
  • You can show up to the concert wearing any old thing including sandals with socks. I didn't, but the man next to me was in sandals. He was with his wife and they looked like they had been together for some time so that may explain why they let themselves go.

Incidentally I wore a smart new jacket that I picked up yesterday for a song while doing some retail therapy. Forgot to bring glasses however so I have no idea if I was being noticed...

One thing about London audiences, they can be a noisy lot. Tonight there was:

  • General coughing and spluttering throughout the performance. I wondered given the average age of the attendees whether there was an ambulance on standby as some didn't sound like they were going to make it to 10pm.
  • Someone's alarm going off for at least thirty seconds during the second movement of the Symphony that the acoustics of the Barbican Hall picked up perfectly for everyone to hear.
  • Someone perfectly timing a loud AAAAH-CHOO! just as the music went quiet. If people are that comfortable to sneeze loudly they should be encouraged to burp and fart perhaps as well.

You also have to pity the performers. As the moment they finish many people in the audience leap to their feet. Not to give a standing ovation, but to get out. It has become a growing trend I have noticed at various venues here in London. No applause just a stampede out the building. Afterall, parking can be such a bitch...

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