Music: All Beethoven and no bite

Caught the LSO Beethoven Concert tonight. It was a sensational programme of the Coriolan Overture, Symphony No 6 (‘Pastoral’), and then Symphony No 7. All are very listenable and perfect for unwinding at the end of the day, and the sound that conductor Sir John Eliot Gardiner got from the orchestra was exquisite. Hearing the orchestra at times barely above pianissamo was something else. Quite appropriate to play the Pastoral symphony today as storms break out over Britain, and temperatures are expected to dive below freezing tonight.

Also, during interval I did notice how cruisy the foyers were... I didn't get approached but I did some heavy duty checking out - complete double takes, distracting people from their conversation and the like (and no I didn't have something on my tie - I did check). It was great for the ego. I could feel it inflate as I drank my Becks.

Alas there was no follow up as the bells went to go back in to the concert hall. There was no chance to follow up after the concert either. There are so many exits out of the Barbican who knows which one to stake out? I took heart however that it wasn't a bad result for somebody who had been at work since 8am (although I was using the right products to conceal any sign of fatigue) and besides there are many more concerts...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Ramin Karimloo: the unstoppable beast

Image
Iranian-Canadian musical theater actor Ramin Karimloo is known for his work in the West End, performing in The Phantom of the Opera and Les Misérables, as well as debuting the role of the Phantom in Andrew Lloyd Webber’s Phantom of the Opera sequel, Love Never Dies. Recently he finished a run playing Valjean in Les Miserables on Broadway and gained attention for not just his vocals but his physical strength. He is back in London and getting ready for a show (tonight) at the Palladium on 16 July. Later in the year he will be joining Victoria Hamilton-Barritt and Kerry Ellis in UK premiere of the off-Broadway musical Murder Ballad at the Arts Theatre. The Palladium show will be another opportunity to see Ramin and his band mix country and bluegrass with musical theatre (and vice-versa), after sellout shows at Islington’s Union Chapel in January. I sat down with Ramin shortly after his return to London. We talked about the shows, his fitness regime and how he is looking for a goo
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...