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The male gaze: Turning the screw

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It's been a while since trips to the theatre. I've been busy. But it's nice to see that it's the creative process that is at the heart of Kevin Kelly's Turning the Screw. And what gives rise to it. It's a dramatisation of the creative process leading up to composer Benjamin Britten's premiere of his opera, The Turning of the Screw. With deadlines approaching, Britten seems stuck over melodies and unsure about completing the piece for its summer premiere. But the selection of twelve-year-old choirboy David Hemmings in the leading role of Miles within the opera is the spark that motivates him to complete the piece. And his presence may stir other feelings, too. It's currently playing at the Kings Head Theatre .  Britten's fascination with young boys has been the subject of a detailed book, Britten's Children. The book suggests that Britten saw himself as a young boy of 13. It's almost as if he saw himself as Peter Pan, albeit if Peter Pan was a
Theatre: Alas thou has misconstrued everything... Julius Caesar

Julius Caesar last night at the Barbican was a marathon effort. First half ran for two hours, then half an hour intermission, followed by another hour. F thought there were a few places they could have cut, but with things falling onto stage, loud explosions, huge crowd scenes, and an updating of the production to a Bush-like era, there was plenty to take in.

Sitting in second row, Ralph Feinnes as Marc Antony was particularly engaging. Of course he could read the back of a cereal packet and have had the audience hanging on to every word. But the rest of the cast was just as good.

Being a preview there were a few little odd bits, such as a very bright torch falling on stage and pointing out to the audience. The effect was that half the audience in the stalls had to squint for five minutes until an actor picked it up.

Given the star power of the cast, it seems like it will be a popular blockbuster production. Whether everyone will buy the updating to the Bush era - complete with battles fought wearing desert fatigues - may be another matter.

It all happens during interval:

A woman brushes by Paul.

Paul (to F): Did you see that woman rub her breasts up against me?
F: Yes... Complete waste of time for her wasn't it...

Actually, the audience was much better looking at the LSO concerts... But anyway...

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