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High anxiety: Collapse - Riverside Studios

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It’s a brave or maybe slightly provocative production to use Hammersmith Bridge on their artwork for a show called Collapse, which is about how everything collapses—poorly maintained bridges, relationships, and jobs. Nothing works. That’s probably too close to home for Hammersmith residents stuck with a magnificently listed and useless bridge on their front door. It gets even weirder when you realise the piece is staged in what looks like a meeting room with a bar. However, keeping things together in the most unlikely of circumstances is at the heart of Allison Moore's witty and engaging four-hander, which is currently having a limited engagement at Riverside Studios . The piece opens with Hannah (Emma Haines) about to get an injection from her husband (Keenan Heinzelmann). They’re struggling for a baby, and he’s struggling to get out of bed. But he managed to give her a shot of hormones before she started worrying about the rest of the day. She’s unsure she will keep her job with ...
Dance: Naked (of sorts)

Caught George Piper Dances / The Ballet Boyz preview of their new production Naked at Sadler's Wells last night. Dance, video projection, lighting and music combined to tell a story of love and revenge etc. While I could not follow the full story (short attention span), it certainly looked great, and the dancing was quite exciting and clever at times. Particularly the scene the boys have together in the second act - a stylised fight of sorts - seemed to have everyone on the edge of their seat. Not being a dance afficianado I don't know the significance of the choreographic choices made, but it is fascinating to watch people do things with their bodies that you assumed wasn't possible or legal in some countries...

The production was stopped 10-15 minutes into it as the sound system kept popping and cracking. I actually had thought that was part of the effect but apparently no. The show was delayed for 45 minutes while they sorted it all out and many people took the opportunity to head to the bar for the unscheduled interval. When we got back I couldn't really tell what had been improved (it was that sort of music). Not that there was a problem with the music, it was perfectly suited to this sort of thing, but when there are scratches and cracks and pops throughout it, it is hard to distinguish between what is intended and what is an audio malfunction.

Later, back in Soho for drinks, people were quite interested in the programme cover which depicts two bodies writhing around covered by little pieces of fabric. It all looks very smart and stylistic and sexy so it should be able to pull the punters in for the week it is playing... Oh and is there any garden variety nudity? Well no, not unless you count the video projections that project an enormous set of buttocks in the first act...

Overheard at the bar at the Well...

American Girl: (to barman) Just the house red please. I am American, I don't need classy...

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