David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
In the search for dreams and a better life, the grass (or maybe the elderflower, which is popular in Polish cuisine) may look greener on the other side. But the lure and the pull of home, be they tomato soup (a staple comfort food in Poland) or Polish dumplings (known as pierogi), remain. These are the themes in this funny and charming chamber musical, Green, Wild Elderflower (Szalony, Zielony Bez). Using the songs and stories of legendary Polish songwriter Agnieszka Osiecka, it tells a story of migration and disillusionment. And as a citizen of the world (or at least three countries), it’s a tale that will feel familiar even if you aren’t familiar with Polish (or their pierogi). It’s currently having a short run at Riverside Studios . Three performers, Mateusz Mirek, Elwira Rejnowicz, and Michał Nowak, share the role of a restless woman from Warsaw in search of freedom, dreaming of being anywhere but in Warsaw. But through trial, tribulation and lots of sexual escapades, it doesn...
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue . Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple. The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...