Featured Post

No country for old women: Old Ladies - at Finborough Theatre

Image
The day after seeing The Old Ladies at the Finborough Theatre , I was describing the play to someone in great detail: about three old ladies who lived in a rickety house in southern England in 1935. Based on Hugh Walpole’s novel and adapted by Rodney Ackland, it is the sort of story with enough believability, humour and mild thriller to stick in your mind. Perhaps it is the lure of this dark, forboding tale of a life without money, to be alone and to be old, that makes you feel attracted to this poverty porn. But then again, given the state of the world, the cost of living, an ageing population, or just the fact that it’s a dog-eat-dog world, it might as well be an every little old lady-for-herself, too. It’s a well-acted and staged piece that moves at a brisk pace, so there isn’t much time to think about it too much. And in the intimate (or should that be claustrophobic?) space of the Finborough, there’s nowhere to avert your eyes. Even if you wanted to.  The scene is a grim Cathe...

Music: Gergiev's grunting Shostakovich

Last night I caught part of the Shostakovich Symphony cycle, Symphony 1 and 14, that the LSO is performing with conductor Valery Gergiev. Gergiev becomes the LSO's chief conductor next year (when Sir Colin Davis becomes the President)

Anyway, Symphony No 1 is quite accessible and full of loud explosions and power and vigour so it is easy to like. The orchestra obviously had loads of fun playing it.

Given my location in the cheap seats (front row to the side) as the performance was a sellout, I not only had a curious view of the backs of the string section, but also I heard what sounded like strange grunting sounds. At first I thought it was the conductor but then surely not. But throughout the four movements of the First Symphony I could hear it. Was it the bowing of the strings? Well the acoustic from my seat was giving me an interesting flavour of the performance so that was a distinct possibility.

When it came to the second half with the much more subdued Symphony No 14 again I could hear the grunting. Combined with Soprano soloist Olga Sergeeva's dire dress that should have stayed in the alien costume collection from BBC's Dr Who series it was hard to appreciate the music.

The grunting was coming from Gergiev, and so there is a lesson there for seeing future performances with the LSO's next chief conductor: don't sit in the cheap seats unless you like a grunt with your classical music. Further back you might not hear it.  

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan...
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...