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Ruthless People: Ruthless - Arches Lane Theatre

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What is it about the Madoff’s that writers can’t resist writing about? Sure, it may have been the largest Ponzi scheme to collapse (so far), but there isn’t much more to explore. Or is there? In Ruthless by writer Roger Steinmann, Ruth Madoff is imagined as a wronged, gun-toting woman anchored in the past while trying to move on with her life. It’s not entirely successful but a fascinating look at life and wig choices, It’s currently playing at the theatre now known as the Arches Lane Theatre in Battersea. Ruth Madoff, played by Emily Swain, is here wearing a wig. I thought it was an odd look until I reviewed how closely it matched the photo of her interview in  The New York Times .  Typically, it’s the sort of wig you might see worn by Ladies on a night out in central London, not someone who once had over $80m in assets. With Bernie in Jail and both her sons now dead - one by suicide and one due to cancer, she is setting a table for the men who have left her. And ordering p...

Theatre: Fool For Love

Tonight I caught Fool For Love which is a play Sam Shepard wrote in the 1980s. It is a very compact play that lasted less than ninety minutes and where the main characters – played by Juliette Lewis and Martin Henderson - air some family issues. Shepard's themes are always the same but the way they are written are so entertaining and engaging.

Juliette Lewis, known more for her rock singing than her movie roles nowadays, seemed to be a little off tonight. Maybe there have been too much throaty singing of late which was a pity as you got the impression she thought she was projecting.

The Apollo Theatre isn't the most pleasant of theatres to be in on a warm evening. The seats are too small and the air conditioning is non-existent. There was also a series of unnecessary delays to pick up tickets and curtain-up was fifteen minutes late. Part of the problem I observed was that the agent to one of the cast members was trying to pick up a comp seat and figured that he was important enough to make twenty other people wait, particularly as he started to engage in theatre banter with the house manager and blocked access to the box office windows. As I was next in line a gentle shove was required from me to move the asshole on…

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