Film: The Queen

Today I caught the movie The Queen which is about that rather unusual period in 1997 when Princess Diana was killed in a car crash and the attempts of the new PM Mr Blair to get the monarch to understand the mood of the public. It was quite an extraordinary film and very well written. While it may not have happened in the way it is presented, the cleverness of the film is that it makes you think the dialogue is believable. Apparently it has used a mix of corroboration from close sources in both camps with a healthy bit of speculation. But at its heart is a great play between two figures of power dealing with change (intercut with real footage of the huge outpouring of grief at the time).

Michael Sheen, who has already played Blair (and Kenneth Williams) in TV dramas, again shows his versatility recreating those heady days of the New Labour era when there wasn't any Iraq, Lebanon or backbenchers passing notes... But Helen Mirren in the title role doesn't quite so much act as channel ER in this film. Actually discussing it later with Ad we agreed that to play the Queen all you needed to do was walk around Balmoral as if you needed a hip replacement and speak slowly and end your sentences on an inflection such as "One does think that would be appro... priate, don't you Mr Blair?" Be careful though, if you are not a trained and brilliant actor like Mirren you could end up sounding like Donald Pleasance as Blofeld... Anyway, definitely a film worth catching...

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Ramin Karimloo: the unstoppable beast

Image
Iranian-Canadian musical theater actor Ramin Karimloo is known for his work in the West End, performing in The Phantom of the Opera and Les Misérables, as well as debuting the role of the Phantom in Andrew Lloyd Webber’s Phantom of the Opera sequel, Love Never Dies. Recently he finished a run playing Valjean in Les Miserables on Broadway and gained attention for not just his vocals but his physical strength. He is back in London and getting ready for a show (tonight) at the Palladium on 16 July. Later in the year he will be joining Victoria Hamilton-Barritt and Kerry Ellis in UK premiere of the off-Broadway musical Murder Ballad at the Arts Theatre. The Palladium show will be another opportunity to see Ramin and his band mix country and bluegrass with musical theatre (and vice-versa), after sellout shows at Islington’s Union Chapel in January. I sat down with Ramin shortly after his return to London. We talked about the shows, his fitness regime and how he is looking for a goo
Read more...

The sweet smell of progress: The Sugar House @finborough

Image
Watching The Sugar House at the Finborough Theatre reminded me of the comment made by journalist  Evan Whitton that Sydney was the most corrupt city in the world. Except, of course, after Newark, New Jersey and Brisbane Queensland. But corrupt cops and underworld figures of the Sydney scene are only part of this epic family story that spans three generations of a working-class Sydney family. It's currently playing at the Finborough  Theatre. The story opens with Narelle (Jessica Zerlina Leafe) looking over a new conversion property on the former site of a sugar refinery in Sydney. It was near where she grew up. She's a lawyer now and could afford to buy one of these bland modern conversions. But all she can see are memories of the place where she grew up with her mother and grandparents.  What unfolds next focuses on the harsher side of the lucky country. Where jobs were precarious and poverty, poor health and crime were not too far away. The police were a force to be feared.
Read more...