Heavy rain, high winds and hail was all that was happening. There were reports of people flying (or rather knocked off their feet) in the high winds as it knocked them off their feet. All of this is a bit better than Kensal Green in north-west London which had a small tornado. By 11:05 it was all over.
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Iranian-Canadian musical theater actor Ramin Karimloo is known for his work in the West End, performing in The Phantom of the Opera and Les Misérables, as well as debuting the role of the Phantom in Andrew Lloyd Webber’s Phantom of the Opera sequel, Love Never Dies. Recently he finished a run playing Valjean in Les Miserables on Broadway and gained attention for not just his vocals but his physical strength. He is back in London and getting ready for a show (tonight) at the Palladium on 16 July. Later in the year he will be joining Victoria Hamilton-Barritt and Kerry Ellis in UK premiere of the off-Broadway musical Murder Ballad at the Arts Theatre. The Palladium show will be another opportunity to see Ramin and his band mix country and bluegrass with musical theatre (and vice-versa), after sellout shows at Islington’s Union Chapel in January. I sat down with Ramin shortly after his return to London. We talked about the shows, his fitness regime and how he is looking for a goo
Truth To Power Cafe is a part digital and live performance event that’s coming to Huddersfield and South Norwood in London later this month. Using memories, poetry, images and music, it takes stories from local people at each location, asking the question who has power over you and what do you want to say to them?’ Be it parents, leaders or a bossy partner. It’s a chance to tell them the truth for once. The concept is a means of conflict resolution and a way of saying something to those in a position of trust or authority who may not want to hear it. Created by Jeremy Goldstein, his experiences frame the start of each performance. He uses poetry, music and performance to talk about his struggles with his father before he invites others to come forward and share their experiences. Truth to Power Cafe is written and performed by Jeremy Goldstein with Henry Woolf. The event has completed a run as part of Rotherham’s Children’s Capital of Culture Launch. It heads to Lawrence Batley Theatr