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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Movies: No Country For Old Men


no_country_for_old_men, originally uploaded by Sky-Hunter.

My friend Adam decided to see No Country For Old Men without me saying that watching it me would be an awful experience as I would be gasping for air and yelling out "fuck" all the time in the theatre. Well I really do get carried away with what gets put up on the big screen so I couldn't blame him. So instead I caught the film with Mandy, who doesn't mind my quirks in the theatre as much as she likes to munch on the noisiest snacks you can buy at the candy bar. Tonight it was chilli flavoured rice snacks.

Anyway, both of us had long stressful days so nothing like an intensive taught thriller about a sociopath with a cattlegun to ease your nerves... Half way through the film Mandy hissed at me to be quiet because my deep breathing was disturbing her. Mind you, she had pulled her sweater almost over her head to avoid some scenes. It wasn't that it was particularly gruesome... But it was a particularly intense night out at the movies.

By the end of it we couldn't work out what the hell had happened. But I was somewhat relieved to find that I am not alone. Actually I was confused at many parts of the film. Following the plot of a movie isn't one of my strong points and I kept getting distracted by all sorts of things including wondering what was the motivation was behind Josh Brolin's moustache. Still this is a brilliant film that had Mandy and I re-enacting the "heads or tails" scenes on our way to the bar which went something like this:
Paul: Call it! Heads or tails bitch!
Mandy: No you're gonna make the decision anyway!
Paul: Oh whatever now do you Merlot or Pinot Grigio?
Bar lady: Well actually we're out of Merlot...
Well that's fate and chance for you...

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