Opera: L'Heure Espagnole and Gianni Schicchi

In a week packed full of culture and goings on, Tuesday night's trip to the opera to see Ravel's L'Heure Espagnole and Puccini's Gianni Schicchi was a real treat. Well when giant cleavage greets you when you enter the theatre (it was on the curtain, not in the audience), you know it is going to be a bit of a fun evening.

Both performances and productions were excellent. Director Richard Jones (who also is responsible for Annie Get Your Gun at the Young Vic) and revival director Elaine Kidd manage to keep it bright and brisk. The opera singers even managed to show not only could they act but they had great comic timing too. Ravel's piece is not so much an opera, so it was nice to have it paired with Puccini's often hilarious and over the top melodrama. The aria O mio babbino caro is from this piece and sung delicately by Maria Bengtsson. Holding it all together was a great performance by Thomas Allen in the title role.

Worth catching and surprisingly not sold out... It has two more performances to go.

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House.

This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve...

Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here.

Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understand the…
Read more...

The woke and the trolling: Scrounger @Finborough

Image
Athena Stevens takes her experiences with an airline that damaged her wheelchair and refused to pay for a replacement into a sharp and an incisive piece on how discrimination affects disabled people. The incident led to her confinement in her flat in Elephant and Castle for months while she tweeted about the experience and gained media attention. And was called a scrounger by the usual band of internet trolls. It’s currently playing at the Finborough Theatre.

It's an exciting piece of storytelling that puts you in her shoes. Stevens is a detailed storyteller, and she expertly covers the everyday ordeals that people with disabilities face. From the passive aggressive remarks uttered by flight attendants to friends who have trouble thinking that Elephant and Castle is a part of central London. It's all told with humour, warmth and a healthy amount of outrage.

While the case was eventually settled, she explains as far as her non-disclosure agreement allows, how people, including…
Read more...

Nursing crisis: Persona @Riversidelondon

Image
There’s something reassuringly contemplative about Ingmar Bergman’s Persona. No matter what humdrum life you may be leading, at least you haven’t gone mute from too much acting. It’s not the only message to take away from this stage adaptation. Even when things seem lost in translation from screen to stage, the blurring of lines of the roles people play in life still resonates. It’s currently playing at the newly reopened Riverside Studios at Hammersmith.

The piece centres around a famous stage actress Elizabet (Nobuhle Mngcwengi), who has stopped speaking and appears to have had some form of breakdown. As part of her recuperation, she travels with a nurse (Alice Krige) to a remote summer beach house. Alone with the waves and silence, they both are left to recover.

Krige and Mngcwengi create an intimate and engaging portrayal of this ambiguous relationship between the actress and the nurse. Are the conversations real or imagined? Who is the patient and who is providing the treatment?…
Read more...