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A Man For All Seasons: Seagull True Story - Marylebone Theatre

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It's not often that you see a play that tells you not so much a story but gives you a sense of how it feels to be in a situation, how it feels to be silenced, how it feels to be marginalised, how the dead hand of consensus stifles your creativity. However, in Seagull True Story, created and directed by Alexander Molochnikov and based on his own experiences fleeing Russia and trying to establish himself in New York, we have a chance to look beyond the headlines and understand how the war in Ukraine impacted a a group of ordinary creatives in Russia. And how the gradual smothering of freedom and freedom of expression becomes impossible to resist, except for the brave or the suicidal. Against the backdrop of Chekhov's The Seagull, which explores love and other forms of disappointment, it presents a gripping and enthralling depiction of freedom of expression in the face of adversity. After playing earlier this year in New York, it plays a limited run at the Marylebone Theatre . Fro...

Music: Sondheim at the Camden Fringe

The Camden Fringe is on at the moment which is an opportunity to see some strange and interesting new theatre... It also feels like an excuse to just "put on a show" in the Judy and Mickey kind of way... This was somewhat apparent with the Sondheim at 80 review I caught with Johnnyfox on Tuesday evening.

It finished its short run this week and there isn't too much you can complain about a bargain basement show like this. It is great that Camden is using its spaces in August to encourage this sort of thing. I can only assume that the "deer in headlights" looks of the cast members lessened for the later performances, and that they remembered all their lines...

My only other thoughts were that an evening of all Sondheim can be tough going... And that the show Passion should be left out of any anthology as it provides too many unintentional laughs listening to the songs out of context... I'll find out next month if this changes when watched in the correct dramatic context when the Donmar stages it...

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