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You can’t stop the boats: Sorry We Didn’t Die At Sea @ParkTheatre

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Sorry We Didn’t Die At Sea by Italian playwright Emanuele Aldrovandi and translated by Marco Young, has made a topical return to London at the Park Theatre after playing earlier this summer at the Seven Dials Playhouse. In a week when leaders and leaders in waiting were talking about illegal immigration, it seemed like a topical choice . It also has one hell of an evocative title. The piece opens with Adriano Celantano’s Prisencolinensinainciusol , which sets the scene for what we are about to see. After all, a song about communication barriers seems perfect for a play about people trafficking and illegal immigration. One side doesn’t understand why they happen, and the other still comes regardless of the latest government announcement / slogan .  However, the twist here is that the crossing is undertaken the other way. People are fleeing Europe instead of escaping war or poverty in Africa or the Middle East. It’s set sometime in the not-too-distant future. There is a crisis causing p

Architecture so big you can't miss it: The Shard opens


For a dynamic modern-looking building, it seemed like a rather pompous sort of opening for The Shard on Thursday evening. Anyone hoping for a repeat of Deadmau5 at the Millbank Tower would have felt it was a letdown.

Still it was a night out with a bit a colour and light so people crowded the bridges near it to see it. Whether the Shard becomes a great building or a great carbuncle is hard to say at this point in its history, but it is certainly something you can't miss on the London skyline now, and one that makes you look at it with some sense of awe. Looking at it up close it appears surprisingly delicate and accommodating to its neighbours around London Bridge. It is open to the public early next year...

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