Featured Post

Love is all you need: The Island @cervantesthtr

Image
A drama set on the seventh floor of a non-descript hospital waiting room may not be everyone's idea of a great night at the theatre. But love and all other forms of the human condition are dissected in Juan Carlos Rubio's The Island. Translated by Tim Gutteridge, it feels like everything is up for grabs. What is love? Is it a bond between two women with a fifteen-year age gap? Is it the love between a mother and her son with a severe unknown disability? A wonderful life full of health and happiness is not always an option on the menu, and the choices may become a bit less palatable. Throughout a series of sometimes banal conversations, what comes out is a story of two women with lives that are separate and together. And while the piece becomes darker on one level as it progresses, it never ceases to fascinate and draw further insights into the couples. It's currently playing at the Cervantes Theatre .  A couple waits in a hospital waiting room for the outcome of an accident

Strange animals: Banksy: The Room in the Elephant @arcolatheatre

In 2011, while Banksy was in California he decided to write on a derelict white water tank "this looks a bit like an elephant".

Suddenly a piece of junk in Los Angeles becomes the latest sought after piece of art, cranes arrive and it is carted off to a secret location and offered for sale.

But the work of art had also been a home a man had been living in for the past seven years. He finds the furnishing it with things he found discarded, finds himself homeless.

This is the is the story that makes up Banksy: The Room in the Elephant playing at the Arcola Theatre. Tachowa Covington, the man who lived in the elephant recounts his experiences in LA, living amongst the rich and famous and meeting Banksy.

The inspiration for the work came from a story Did Banksy's latest work bring misery to a homeless man? Presented as a one man show and also as a commentary both on the art world and the theatre world (since both are making something out of someone else's story), it is a fascinating and emotional journey into one man's life outside the mainstream.


Performed by Gary Beadle (known as Eastenders’ Paul Trueman and for acclaimed roles in the Royal Court’s Sucker Punch and Chichester Festival Theatre’s Blue Remembered Hills), he brings raw emotion and humanity to the piece which blends fiction and reality and holds your attention for the entire one hour.

It was a hit at the Edinburgh Fringe last year and is at the Arcola Theatre as part of a national tour and is a theatrical experience to remember for its sensitive handling of both homelessness and how we deal with it through art and theatre, which is more than can be said for Banksy. The news story from three years ago seems to give Banksy undeserved credit for drawing attention to the plight of the homeless. You won't find that here. Banksy, like his art, comes across as fairly simple minded.

The piece is presented alongside the film Something From Nothing, which is directed and filmed by Hal Samples. Samples had been documented homelessness since 2004 and met Tachowa in 2008. As writer of the piece Tom Wainwright notes, it is an opportunity to present his work in tandem with the truth. A teaser to the film is available on Hal Samples Youtube channel.

Banksy The Room In the Elephant and the film Something From Nothing runs at the Arcola Theatre until 26 April.

****

Popular posts from this blog

Opera and full frontal nudity: Rigoletto

Image
David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
Read more...

Fantasies: Afterglow @Swkplay

Image
Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial security
Read more...

Play ball: Damn Yankees @LandorTheatre

Image
Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.
Read more...