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Prayers and thoughts: The Inseparables @Finboroughtheatre

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The Inseparables brings Simone de Beauvoir’s posthumously published novel to life. It traces a lifelong friendship between Sylve and Andrée, two unconventional girls who grew up in a stifling world where being a woman meant getting married or entering a convent. With a quick pace and engaging performances from the two leads, it is a journey back into the 20th century that captures two unconventional women trapped in a conventional world that will have you reflecting on how much or little things have moved on in the last century. It’s currently playing at the Finborough Theatre .  We’re introduced to Sylve praying for her country, France, to be saved from the war and indoctrinated into the world of faith and obedience. But too smart for all that, her life was full of detached guilt and boredom. But when she meets Andrée, a new arrival at her school, she is struck by how different she is from everyone else. She was burned in a fire and had a passion for life that nobody else she knew...

Partying on: J’Ouvert @Theatre503


The shadow of Grenfell looms large in J’Ouvert, It fills Theatre 503 with the colour and flavour of the Notting Hill carnival. It’s an epic and personal experience of three women during one day at the event. With its intricate storylines and sharp observations about life in the Royal Borough of Kensington and Chelsea, it’s an impressive debut from writer Yasmin Joseph. Even with what appears to have been a difficult journey to bring it to the stage.

In the piece, three women play a range of characters. Two are best friends and locals who have been going to the carnival forever. Another girl has joined them for reasons that become clear later. As they spend the day trying to get a drink and a dance. And some overpriced food, the characters that make up the event come to the fore. What becomes clear is a slice of life of the need to party, the need to be angry and the need to get on with their lives, without harassment or violence looming large.


There are the old timers who have seen it all before, the young boys looking for trouble, the men trying to slut shame the women and the reporters looking for cliches. Everything gets a look in here.

Unfortunately, during the rehearsal process, problems led to last-minute cast changes. With the actor playing the central character remaining on-book, it felt more like a staged reading and difficult to appreciate it fully.

The name of the play comes from the meaning of daybreak when Caribbean festivals (such as the Notting Hill Carnival) are typically held.

But hopefully, there is a long future for this piece. The intimate space of Theatre 503 makes this epic story feel like the party is just getting started. It deserves a much bigger, reimagined production somewhere soon to match the ambition and scale of the story being told.

Directed by Rebekah Murrel, J’Ouvert is at Theatre 503 until 22 June.

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