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Showing posts from September, 2019

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The Green, Green Grass of Home: Mr Jones An Aberfan Story - Finborough Theatre

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A life of hope and promise, interrupted, lies at the heart of Mr Jones: an Aberfan Story. The play follows two young people in Aberfan before and after the disaster that killed 144 people, including 116 children. It’s an emotional coming-of-age tale of intersecting lives, family, love, and the shock of tragedy. With two vivid performances and strong characterisations, you feel immersed in 1960s Welsh small-town life. It’s now running at the Finborough Theatre , after performances at the Edinburgh Festival and across Wales.  The Aberfan disaster is well known in the UK but perhaps less so elsewhere. The facts of the tragedy are confined to the programme notes rather than in the piece. On 21 October 1966, the catastrophic collapse of a colliery spoil tip on a mountain above Aberfan engulfed a local school, killing many. The play avoids the causes and negligence, instead focusing on those working and building lives in the town.  Writer-performer Liam Holmes plays Stephen Jones, a...

Previews: Danelaw @ORLTheatre

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Written fifteen years ago as an absurdist comedy, a portrayal of an attempt by a far-right group to set up a white-supremacist state in East Anglia could today be seen more like a documentary of today’s troubling times. But there is nothing like a funny and timely reminder of the deadly threat that far-right groups still pose to this country.   Partially inspired by the neo-Nazi group Combat 18’s attempts to set up such a homeland in the 1990s, it follows an MI6 agent’s attempt to infiltrate the group.  But a funny thing happens on the way to set up a white-supremacist enclave as a gruesome murder is committed on some waste ground in Harlow. Well, Rome wasn’t built in a day either. But Peter Hamilton’s play, Danelaw is currently playing at the Old Red Lion Theatre until 5 October. See it and laugh nervously... 

I see a river: The Fishermen @Trafstudios

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  A Booker-Prize nominated novel by Chigozie Obioma about families, vengeance and fate, is adapted into a two-hander play and currently playing at the downstairs space at Trafalgar Studios . It’s an intense, haunting and brisk adaptation by Gbolahan Obisesan of two men reunited after a tragedy. A prophecy of foreboding trouble haunts four brothers living in a small Nigerian town. Two brothers, Ben (David Alade) and Obembe (Valentine Olukoga), secretly fish at a forbidden river along with their two older brothers. They risk both their lives and angering their father by fishing there. Until one day, they come across a madman who changes their lives permanently. It opens with the two brothers meeting on either side of a riverbank. Some time has passed, and their reunion at first brings joy. And then takes a darker turn as family relationships, guilt and superstitions are remembered. As the two storytellers, Alade and Olukoga bring humour and warmth to their roles as they ...

Fluffing it: Rouge @Underbellyfest

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It's not enough for a circus act nowadays to offer a series of acrobatic feats. Nowadays, they are pushing all sorts of conventions. There's the all-male, the all-female, the all minimalist. Rouge is the all gender fluid pan-sexual circus for grown-ups who like a bit of everything. But only if that everything includes a little bit of nudity and a bit of mild titillation.  The men wear eyeliner, the pairings are male-female, male-male and female-female.   Strong female types abound throughout. It's a unique concept that's marred by its own timidity. It's currently playing at the Underbelly Festival on the Southbank . The performers are interesting enough. There's the aerial trapeze, the ring, and the strap. All are deftly executed. There's a terrific flame swallowing routine which seems all the more intense in the confines of the Spiegeltent. An inventive sequence happens where the performer is wearing a lampshade and combines hula hoops with...