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Same but indifferent: Laughing Boy @JStheatre

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Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre .  Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he

Scenes from Waterloo Sunday

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12-05-2008 , originally uploaded by Paul-in-London . I didn't check if there was a body in the case... In London you never can tell...

Comedy: Dina Martina

Dina at Wigstock a few years back... We were treated to the fiddle as well... Thursday evening I was one of the "peeps" who caught Dina Martina at the Soho Theatre . Dina is part typical drag act and part something else. With a wig that looked like it was inspired by one of Liza's fights with Gest , makeup inspired by a clown, and a belly that was all his/hers, it was pretty out there (or as Dina would say, "Off the charts!")... But as the 80 minute performance went on it was clear that there was a real character in the making and it will be interesting to see her again in a few years. Best parts were the songs with forgotten lyrics, advice on how to deal with global warming (kill or the animals in the sea as that will make the water levels drop), and the mispronounciations of words. I particularly liked the soft "g" in her segment of the show called "gifts to give" which became "jiffs to jiv"... Thanks to Dina, I will try and work

Movies: Iron Man

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Iron Man , originally uploaded by Luffyd . Caught the movie Iron Man on Wednesday evening as on a warm sunny evening it seemed like a good idea at the time. Besides there are not enough super hero stories set against war-torn Afghanistan (with the occasional nice shot of Miami). While there was a lot to enjoy about it, after seeing it I had a few questions: Why were there so many product tie-ins for crap products ? Why did Robert Downey Jr's character go for models who had too much sun and dimply skin? Why do the agents from S.H.I.E.L.D look like they are from the gay mafia? Did Jeff Bridges shave his head and grow a beard just to look more evil?? Was that final battle sequence made up of out-takes from the Transformers movie? And just how the hell do you take a leak in that suit?

Bank Holiday Banter...

Man #1: Don't I know you from somewhere? Paul: Hmm I don't know you look familiar... Man #1: You from Australia? Paul: I'm from Brisbane are you? Man #1: I lived in Sydney for a while... Paul: Oh I see that doesn't help... Man #1: Ah man I'm sure I'll work it out but I'm buzzing right now...

Hot news this week in London...

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The Headlines from The Evening Standard , originally uploaded by robbyredbird . Don't panic...

Opera: The Minotaur

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I caught the last night of the Harrison Birtwistles's new opera The Minotaur on Saturday at The Royal Opera . It is a thrilling and slightly disturbing opera (not to mention bloody too). Mind you, before the interval an elderly couple walked out. Maybe all that blood and rape and horror and gore was a bit too much for them. But that's new opera for you... At times I was wondering whether I was watching a high culture horror show (although I could have done with more blood and more realistic killings if that was the case). The first appearance of the Minotaur (played by John Tomlinson ) was a pretty dramatic moment and for nearly three hours the show didn't let up. Still, there is a lot to like about this opera starting with the music . The production design and the costumes - particularly the bulls head - were particularly creepy. The final battle sequence (depicted above) literally had everyone in my section on the edge of their seats (although that was party due to the

Theatre: Spamalot

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Well, at least there was Nina Söderquist It isn't often that I am put off seeing a show just because I have heard the cast album. But when I heard Spamalot a few years back I thought it was such crap that I waited until the ticket prices dropped through the floor before going to see it. Perhaps the show is on its last legs. The show has been a huge hit on Broadway but seems to be struggling here. Monty Python wrote some hilarious music in their day , but you wouldn't know it with this lamely written show that serves up lines like: We're going off to war We'll have girlfriends by the score We'll be shot by Michael Moore Because we're not yet dead Sitting in the front row you can just smell the stench of stale satire. It was a very tame night and hardly the bloody and silly enjoyment of the film that this musical "lovingly rips off". Anything slightly risqué seems to have been cut or toned down (so no oral sex jokes) to the point that instead there are