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Bear with me: Sun Bear @ParkTheatre

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If The Light House is an uplifting tale of survival, Sarah Richardson’s Sun Bear gives a contrasting take on this. Sarah plays Katy. We’re introduced to Katy as she runs through a list of pet office peeves with her endlessly perky coworkers, particularly about coworkers stealing her pens. It’s a hilarious opening monologue that would have you wishing you had her as a coworker to help relieve you from the boredom of petty office politics.  But something is not quite right in the perfect petty office, where people work together well. And that is her. And despite her protesting that she is fine, the pet peeves and the outbursts are becoming more frequent. As the piece progresses, maybe the problem lies in a past relationship, where Katy had to be home by a particular hour, not stay out late with office colleagues and not be drunk enough not to answer his calls. Perhaps the perky office colleagues are trying to help, and perhaps Katy is trying to reach out for help. It has simple staging
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Overheard at the gym Thursday...

Man number one: So how do you get it like that? Man number two: Well the pastry has to be the right consistency...
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Music: Michael Feinstein

Spending Sunday evening with Michael Feinstein and his 17 piece band was a great way to pass the time. When I last saw him five years ago, I wasn't so enthused by his performance. Since then he has released a number of new albums including most recently his Sinatra album with new interpretations to the music of Sinatra. This seems to have thankfully given him new music to explore, beyond being known just as the Gershwin man (or one of the foremost interpreters of Gershwin's music). The concert featured a range of songs recorded by Sinatra, but also included some tributes to Cole Porter (including with John Barrowman ) and at 53, he is looking and sounding pretty good. There were various nods to famous people in the audience such as Leslie Bricusse and Judge Judy (who married Feinstein and his partner), but in the end it was an evening of music. And the music sounded great... If only leaving us wanting to hear a little more from that band...
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Play: Prick Up Your Ears

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Prick Up Your Ears has sort of become known as the play that Matt Lucas pulled out from following the death of his ex partner. It is a shame really as it is a great little play that deserves to have an audience. Con O'Neill who replaces Lucas gives an excellent performance as Kenneth Halliwell, who killed his lover, playwright Joe Orton , in their small flat in Islington in the summer of 1967. Some of the reviews noted that it is definitely a play for anyone who has a more talented partner... While I would like to think that we all have our own strengths, but I have made a mental note not to share a studio flat with anyone who likes collages. The play follows their antics of Kenneth and Joe where they defaced books at the Islington Library , and then following a short stint in prison, the rising career of Joe's. It all ends in a fight however, and I personally could have done without the nine hammer blows to the head at the end of the play, but then again I did see it on Hallo
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People: Leslie Caron

Tuesday evening last week I managed to get very close to Leslie Caron . It was at one of the National Theatre's platform events where they talk about somebody and there is usually a book signing involved. Old queens, people close to death or a combination of the above seemed to make up the audience. Although there was one guy who took up two chairs that was definitely younger than me there... He sat two over and oohed and ahhed at everything she said as if he were her number one fan... Anyway, Leslie Caron was the woman who at 16 danced with Gene Kelly in An American in Paris and then went on to be a star in her own right in films such as Gigi and Lili. She now runs a bed and breakfast outside Paris and has written a book about her life . She hasn't given up entirely on acting. She recently won an emmy for appearing in Law and Order: Special Victims Unit and will be appearing in Paris next year in a production of A Little Night Music . It was interesting listening to her as s
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Scenes from a shop window WC1

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For problem men who like to wear no trousers... Posted via email from paulinlondon's posterous
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Rubbish Music: Carousel The Songs of Jacques Brel

An oddly shambolic concert took place at the Barbican tonight in what was supposed to be a show to highlight the music of Jaques Brel and his ongoing influence on musicians. Instead we had a band that drowned out the singers, half the singers sounding as if they had spent a bit too long at the bar, and a concert that looked and sounded like it needed to have a tech run and a rehearsal. Some people loved this show and obviously had an affinity to the performers. I suspect however they would have been happy for them to read from the phone book. It wasn't all bad either, but when half the performances were so inept, many of those who were more interested in the music of Brel voted with their feet and left at intermission. Some of us stayed to see if it got better, but only after a stiff drink at the bar... Part of what is amazing about Brel's music is its nuances and particularly its lyrics. But when you pump up the volume or get a performances that are just loud, noisy and atona
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Opera: L'Heure Espagnole and Gianni Schicchi

In a week packed full of culture and goings on, Tuesday night's trip to the opera to see Ravel's L'Heure Espagnole and Puccini's Gianni Schicchi was a real treat. Well when giant cleavage greets you when you enter the theatre (it was on the curtain, not in the audience), you know it is going to be a bit of a fun evening. Both performances and productions were excellent. Director Richard Jones (who also is responsible for Annie Get Your Gun at the Young Vic) and revival director Elaine Kidd manage to keep it bright and brisk. The opera singers even managed to show not only could they act but they had great comic timing too. Ravel's piece is not so much an opera, so it was nice to have it paired with Puccini's often hilarious and over the top melodrama. The aria O mio babbino caro is from this piece and sung delicately by Maria Bengtsson. Holding it all together was a great performance by Thomas Allen in the title role. Worth catching and surprisingly not sold o
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Open season on Brel at Barbican

Listen! via AudioBoo Posted via web from paulinlondon's posterous
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