Paul in London

It was practically a full house on Thursday evening at High Society playing Upstairs at the Gatehouse . That meant that Johnnyfox and I had to sit in the front row to enjoy this high energy and high furniture moving production. It must be hard to work in these productions to dance and sing your heart out, and then have to move the sofas about. When you're not worrying that they will drop a lampshade on you or kick you in the face, the cast in this show are great. And since the music is Cole Porter it is fairly enjoyable stuff it makes it hard to not enjoy it at some level... On another level it is just an awful musical with a dull book and vaguely appealing characters. It probably was a bad idea to see a show with Johnnyfox that has lines that mention something about stroking her pussy out the back as well. And it wasn't helped by the decision to transplant the setting to England, perhaps so we didn't have to cringe at English actors attempting American accents . The ladi

It's January so it is Get Into London Theatre time... Which is a great way to see a play for a bargain that you might have been ambivalent about seeing previously. One such play I was ambivalent about was the revival of An Inspector Calls , directed by Stephen Daldry. Having now seen it, I still remain ambivalent. Sure I understand how important it must have felt when this production first came on the scene in 1992. Thatcherism was a very recent memory and was a critique of her legacy as much. However eighteen years on, times have certainly changed... And the play feels overproduced and overstaged. And (on the night I saw it...) over-acted... There is nothing subtle about the JB Priestly's text, which is fine from a historical point of view, but this production decides to ram things home in big large letters, and a tiny little house... And if you aren't being deafened by the nightmare sequence score from Vertigo, you find yourself being moistened by the mist from the rain

Window Shopping in Mayfair , originally uploaded by Paul-in-London . Come to think of it, you don't see this either... I couldn't work out where you hit the button to flush...

IMG_0027 , originally uploaded by Paul-in-London . You don't see that everyday...

IMG_1461 , originally uploaded by Paul-in-London . The Tate Modern's Pop Life exhibition finished today. Basically it was a collection of minge from the seventies onwards with a few bits of Warhol thrown in for good measure... While there was some attempt to put it all into the context of "it seemed like a good idea at the time", it was a pity there wasn't some of this interview with Jeff Koons describing how his then-wife Cicciolina expressed herself with her shaved vagina. This interview was filmed without irony at the time they created the Made In Heaven works that made up one room of the exhibition... After a while of looking at the artworks (or pornography) it was almost enough to make you want to run away from it all and see some real art... Well at least not art that you could have created yourself with some nifty clippers, a Gillette disposable and a compact mirror. But if you missed it, an intrepid reporter captured it all on Youtube ... And at a

Not content with one play this week, Monday night was a chance to catch up with the West End Whingers and troupe to see a preview of Six Degrees of Separation at The Old Vic . John Guare's award-winning play was having its first London revival in 18 years. Variations on the above artwork for this production are on posters across the tube network and they're enough to make you want to go see it... It just looks so terribly sophisticated and smart... The play has a sort of legendary status, but this is less to do with the play itself... In 1993 it was made into a film with Stockard Channing (reprising her Broadway role) and Will Smith, who largely was remembered for playing a gay character and not being that gay as there was no kissing and not much nudity (it was all a bit no homo )... Shortly after the film came out Kevin Bacon made the statement he worked with everyone in Hollywood and thus gave birth to the Six Degrees of Kevin Bacon phenomena. Amongst some circles, this b

Despite gusts of wind and snow, what looked like a full house was there on Saturday night to see David Hare's new play The Power of Yes at the National Theatre . Not even freezing conditions could prevent National Theatre audiences from seeing a lecture on the financial crisis. Well we're that sort of audience I suppose. The Power of Yes has been playing since September, but rather than see it early on in its run and be bewildered about it (such as I was with his Stuff Happens show), I waited a bit, hoping it would be trimmed and better formed by now. It probably was. David Hare is a bit of a star writer nowadays so it seemed to make sense to make him the focus of the show. Its a show about a playwright trying to understand the credit crunch and the recession of the last two years for a play he is being commissioned by the National Theatre to write. I guess being a star playwright, you can do that sort of thing. Some say Enron the play treats a similar subject matter far mor

As the Guardian blogged , there is nothing like a cold snap to bring out the cliches... News stories this past week will feature at least one of the following: Talking about the winter spirit that evokes memories of the blitz . Since when is Jack Frost a Nazi? There really is community spirit after all... Although this only occurs after people realise the government is not going to do something for them first... Fear of running out of grit. Birmingham will run out in 48 hours . Death will ensue after. Take matters into your own hands and clear a pavement. And then you will be sued . Oh and BBC weather reporters must have a dress code for crumpled or ill-fitting suits... Won't somebody think of the dry cleaners?