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Same but indifferent: Laughing Boy @JStheatre

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Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre .  Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he

Hot news this week in London

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IMG_1753 Originally uploaded by Paul-in-London Dr Zeuss meets the brown word...

Opera: Aida

The Royal Opera continues in its current trend to show flesh with its slightly naughty version of Aida . I caught up with it on opening night last week, and this new production looks great. And with plenty of partial nudity, it can be a little distracting. While it has been a controversial choice in staging, I thought it helped since I really don't care for Aida as an opera - a small story blown out into epic proportions that goes on forever. Still, conductor Nicola Luisotti also gets a great sound out of his orchestra and chorus (if perhaps not his soloists). His thoughts on the opera are captured in the latest podcast from the Royal Opera as well. Opening night was also a charity fundraiser with HRH in attendance ( wheeling in his wife ), so the standard of dress was a little bit better than usual at Covent Garden as well... It runs until 16 May and worth catching.

The other Westminster question on election night...

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Listen! via AudioBoo Posted via web from paulinlondon's posterous

Play: Holding the Man

On election night, I was in Whitehall at the Trafalgar Studios watching the Australian (gay) play Holding the Man . The play is about two boys and their fifteen year relationship from meeting at a good Catholic school in Melbourne in the late seventies through to the early nineties.  It is based on the book of the same name . The story is part coming of age, part coming out, part gay life in oz in the eighties, and part dealing with HIV and AIDs. Two out of the four parts are quite depressing, but at least the coming out and coming of age parts are charming. Surprisingly for a play that has won a lot of awards (in Australia), I found it to be like a cliff notes version of the book. While I have not read the book, after seeing the play I feel I have a sense of its geography, but not its sentiment. The direction and staging don't help much either, which is fairly uninspired with too many "comic" diversions and a set that looks like a tip. This is a shame as the cast

Scenes from tough times in a phone booth in London

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IMG_1745 Originally uploaded by Paul-in-London Card reads: Hot Transexual. Busty boobs. Fit, sexy, English, naughty babe. £60 recession special. For when times are tight I suppose...

Scenes from Springtime in London

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Posted via email from paulinlondon's posterous

Music: Daniel Boys

Thanks to a large volcanic ash cloud which stranded Johnnyfox in New York (not that he minded by his tweets ), I was lucky to catch Daniel Boys at Pizza on the Park Thursday evening. Daniel has appeared in various shows including Avenue Q and has recently released an album   So Close , that has become very popular... All of this has given him the opportunity to showcase his talents and charm in the intimate space of Pizza on the Park. It was Daniel, a great band and an audience. An audience that appeared to be mostly very appreciative women. There must be something about his boyish charm, enthusiasm and lovely vocals that drives women crazy. While they weren't throwing an underwear on stage I wondered whether this was simply because they weren't wearing any. Anyway, Daniel performed mostly on a stool behind a music stand and looked loveable. This might have seemed a bit odd if you were directly in front of him (unless you like singing music stands), but fortunately I was