Paul in London

Stephen Sondheim's Grand Guignol musical-opera Sweeney Todd is back in the West End. This time it is with the versatile (and somewhat unrecognisable) Michael Ball in the title role and Imelda Staunton as Mrs Lovett, his partner in crime. The tale has been told in many forms, and the last time it was on the West End was in John Doyle's wonderfully claustrophobic production where the cast doubled as the orchestra. This time around, this Chichester Festival transfer provides a slightly more traditional staging of the production with a grand set and elaborate set pieces. Of course, it is still probably Victorian London as the story does not make sense in any other period, but you could be forgiven with the odd car, costuming and set decoration that it could also be the 1930s...

In Basildon by David Eldridge at The Royal Court is a brilliantly funny play about a dysfunctional family and an inheritance. Len is on his deathbed and the family gather to say goodbye. His two sisters Maureen and Doreen have not spoken in nearly twenty years. Doreen's son Barry is hoping to get the house as his inheritance so he can start a family. The scene is set for greed, grudges and entitlement against the backdrop of the city of Basildon , a rather bleak looking town created in post war England to house the growing population from London (and featured in the above promotional video).

The King's Speech was originally intended to be a play rather than a film, and it you now have the opportunity in London to see it that way. It is a smart looking production with an excellent cast that keep things in focus. The performances by Charles Edwards as the King and Jonathan Hyde as Lionel Logue are central to this and you are on the edge of your seat whenever they are on stage. Despite projections and visuals which make the piece still feel a bit cinematic, it is the dialogue and the banter between the two men that are key. On one level, the play elaborates and enhances some aspects of the story going beyond what the film covers. But on another level it is also labours them. The film seemed sharper and more credible. It is a pity that perhaps the stage version didn't re-imagine the story as a three-hander between George VI, Elizabeth and Lionel Logue. The focus of the stories blurs with the cast of supporting (and possibly) superfluous characters.Winston Churchill, t

As part of its Open Stage programme this year, the Theatre Royal Stratford East is holding a series of readings of new plays this week, curated by Rikki Beadle-Blair . I caught The Miriam Gospel by Ben Fensome on Tuesday which is a surreal roller coaster ride into this history of homosexuality. Thanks to the internet, you don't need to read a review but can watch the performance below. If you're pressed for time, I would recommend skipping to the monologue by a leopard slug, which comes in at 1 hour 50 seconds. It describes in graphic slimy detail slug sex and is disgusting and not for the squeamish. And I loved it. This is a series to watch for potential future playwrights and performers. Readings run until Saturday for now but more are to come later this year... It is worth a look and make sure you stay for the post show discussions as they are wonderfully entertaining and insightful about how the actors and writers grappled with the material and got it into shape... T

The Ladykillers , which is playing at the Gielgud Theatre is a surprise treat. Even if you are not familiar with the Ealing comedy with Alec Guinness , the tale of a sweet old lady who is up against a gang of crooks who are using her room to hide out following a heist near Kings Cross is a lot of fun and everything a civilised night out at the West End should be... Murder, heists, little old ladies, car chases and moulting parrots... How some of the material translates to the stage is often a joy to behold. Actually it is all so enjoyable that you wonder if they took the pace a bit quicker, choreographed the action a bit snappier and occasionally broke the fourth wall it might even be funnier. Still, everyone is so likable and the performances are wonderful. Particularly by Marcia Warren as Mrs Wilberforce, who creates a wonderful character that is equal parts daft and clever.  And of course the production looks great. People have raved about the set and it is a sight to behol

All New People, written and starring Zach Braff is a play that takes place over 90 or so minutes in the dead of winter at a beach house on Long Beach Island New Jersey. Zach's character Charlie is staying at his friends beach house for a few days as he is having a bit of crisis at this point in his life. He is about to end it all, when a real estate agent walks in... Then follows a fireman, and then a high-class hooker his best friend arranged to cheer him up with. The stage is set for a bizarre and off-beat set of stories and revelations from this collection of four unlikely people. There is a detailed discussion about scabies and debates about the merits of various intoxicating substances. Projections help with the back stories of the characters, but it works best when it is just some off-beat random discussions about matters of trivial importance. Or are they? Whatever the case, the action moves briskly and the laughs are fairly constant.

The Shallow End currently playing at the Southwark Playhouse is an opportunity to revisit this satire on British media with recent events of phone hacking, arrests, resignations and enquiries in mind. The play is set at the wedding of a media mogul's daughter, who has just brought a broadsheet newspaper and it about to take it downmarket. During the celebrations the axe is about to be weilded on the old guard as debates about about the future of a newspaper in the digital age.