Scenes from the East End Sunday


London - East End, originally uploaded by Paul-in-London.

A rather specific requirement for models in a shop window...

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Put on a little mascara: Pretty Ugly at Camden People’s Theatre

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  Many shows explore living in the present and leaving the past behind. Theo Chen’s Pretty Ugly is about finding who you are and accepting it. Even if you have a lingering doubt or two about your life, there’s no time like the present. Including dressing up and putting on a show. And isn’t that what anyone wants from a performer? It has concluded a short run at the Camden People’s Theatre .  Pretty Ugly explores the inner demons and self-doubt that mark Theo’s journey from Singapore to taking on the world. With a little sparkle and a smattering of songs, it’s a warm, musical journey through Theo’s life so far. It also includes plenty of Sondheim. Sondheim's music can change your life , and it clearly left a strong impression on young Chen from age twelve onward.  Theo Chen takes us through self-doubt, high school friendships that end in tears and wandering about the cruising grounds of New York City. As he recounts the latter and strikes up a conversation with someone the...
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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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