Scenes from a final rehearsal...

Sweat and gluttony...

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Fantasies: Afterglow @Swkplay

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Nowadays no self-respecting gay play can be staged without full frontal nudity of some kind. It feels like the default response for the modern gay play now that gay rights are no longer an issue .   Afterglow, currently playing at Southwark Playhouse , serves it up in spades. From the beginning, three men are in a bed, naked. There’s what appears to be a very brief exhalation of ecstasy, before the obligatory rush to the shower. But the gratuitous nudity and excellent performances can’t conceal this is a pretty conventional and predictable story about a fantasy couple.  The three men in the simultaneous orgasm at the start of the piece are Josh, Alex and Darius. Josh and Alex seem to live in a New York world where they can afford a rooftop apartment in Manhattan while holding jobs as a theatre director and a grad student in chemistry. As writer S. Asher Gelman based it on his own experiences, perhaps gay plays with full frontal nudity are the way to achieve financial ...
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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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Once more without feeling: Again @Trafstudios

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The nuclear family seems to be a little unstable in Again. Presented by Mongrel Thumb , Stephanie Jacob’s intriguing new play explores the underbelly and soft belly of family relationships. Just as you think everyone’s coming together they explode into rage. Or crack a bad joke. And then they do it all over again. But with less rage, more rage or acceptance. It’s currently running at Trafalgar Studios. Presented as a family reunion after a period of estrangement, nothing is what it seems to be. Scenes start and then restart as multiple perspectives play out. Is it the mother’s wish, the son’s wish, the father or the daughter? In the end you can’t be sure any of it happened. But slowly it pieces together a story of fractured family determined to get things right. Or get their own way.  Tom (Chris Larkin) has deserted his wife Louise (Natasha Little) for a younger woman. Their son (Charles Reston) spends most of his life in the library and studies poetry. Their daughter (Rosie Day) i...
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