Scenes from Victoria Tube Wednesday 22:57. Four weeks on from 7/7 some figures:

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Opera and full frontal nudity: Rigoletto

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David McVicar's oddly modern production of Rigoletto is back at the Royal Opera House . This modern and minimalist dark production has evolved over the years. It is better lit now but there is still an orgy and full frontal nudity within the first thirty minutes. This enables anyone not in the stalls an excellent view of a flaccid penis and a nicely shaved bush. But as time goes it seems more and more superfluous to the main focus of this tragedy of a court jester who seeks revenge. Here is hoping that the production continues to evolve... Conductor John Eliot Gardiner keeps the music well paced. Dimitri Platanias in the title role sounded great and received a rapturous applause for his interpretation of the role. You get a sense more of the doting father rather than the court jester or cursed man here. Vittorio Grigolo plays the Duke and sounds too lovely to be the cad the role calls for, but it is hard not to like when he is on stage anyway. And it is easier to understan
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Mostly harmless caper: Corpse! @parktheatre

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In times of national crisis, there is nothing like a good old fashioned comic murder-mystery to take your mind off social distancing and voluntary isolation. Or perhaps a silly murder-mystery. And even if the story is a bit suspect, Corpse! is mostly harmless fun and staged with a lot of panache and energy by Tom York. It's currently playing at the smaller space of the Park Theatre . Set against the backdrop of another national crisis, Edward VIII's abdication, Gerald Moon's Corpse! (complete with an exclamation point) was first seen in the early eighties. It is about two identical twins who despise each other. The oldest (by a few minutes) Evelyn, is poor and living in a squalid Soho flat. His acting career hasn't progressed much after being accused of poisoning cast members. He gets by shoplifting from Fortnum and Mason and promising favours to his lonely landlady. His younger brother Rupert is incredibly rich after inheriting the family fortune. Evelyn has dec
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Nights and boos with @johnnyfoxlondon

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  Londonist head theatre critic JohnnyFox recently passed away after a short illness. Over the years we went to the theatre together. For me I was covering it for my own blog. For John it was covering it for countless online magazines and eventually Londonist. We rarely took notes. There was one point when John tried to do that. But when he went to the bathroom, I wrote in his note pad, biscuits, milk, a tin of meat for the cat. Instead, we would talk about the show on the way home. If we liked the show enough, we would record the banter on the Audioboo platform (as it was then called). While we assumed only my mother was listening, it was an opportunity  to explain why we liked something, without too many pauses or ums and errs. We also travelled to Winchester and Poole to speak to young people starting out as journalists about how to make a living doing it. The point we made was that theatre journalism never made money but you should do it because you like to do it around your
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