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Global Warming meets Toxic Debt, originally uploaded by Andy Beez.

This time Literally... Well at least the Circle Line will be chilled...

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Heart and music: Don Black's From The Heart at the Garrick Theatre London

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By his own admission, it took about 30 years to bring this song collection to the stage, but Don Black’s From the Heart has been worth the wait. With a vibe designed to evoke a New York cabaret venue, albeit on a slightly grander scale, the piece showcases Black’s ingenuity in creating deceptively simple lyrics, along with his love of music and comedy. It’s running for a limited time at the Garrick Theatre .  The premise is simple: to capture the feel of New York’s cabaret venues. A series of songs, mostly new ones written for the show, run through a variety of moods. With each song running a little more than three minutes, the show moves briskly. Each offers a chance to appreciate Black’s economical lyrics, flashes of deadpan comedy, and occasional inspired choices, such as rhyming sex with the (artist) Lautrec.  A classy ensemble also brings these songs (and the stories they tell) to life. Clive Rowe delivers the first laughs with a song about doctors. The song is simpl...
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The agony and the ecstasy: Cadel: Lungs on Legs at Riverside Studios @cadeltheplay

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Cadel comes with a subtitle, “lungs on Legs”, which is what Cadel Evans, Australia’s only ever winner of the Tour De France, was referred to as. Connor Delves, who co-wrote and devised a 70-minute sprint through the pain and glory behind this win, could be called lungs and mouth on legs. He cycles, he emotes, he sweats, he spits and collapses on stage.  He spares no pain in this brisk and thrilling account of a sporting victory that was never certain. Even if you know little about the sport, you feel that you’re there struggling up the mountain for a photo finish. It’s currently spinning at Riverside Studios after playing at the Edinburgh Fringe.  Delves performs (and pedals) on a 2011 yellow bike, the same model that Cadel Evans won the Tour on. Watching the piece, it’s hard to work out where the performer ends, and the subject begins. Delves doesn’t look like Cadel, as the footage of the real one at the end of the show shows, but you feel he's captured the man’s essence in ...
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Bare emotions: Gods and Monsters @swkplay

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Gods and Monsters , now playing at the Southwark Playhouse is a showcase of incredible performances from its terrific cast and an engaging story. Oh and there is a bit of full frontal nudity too. Based on the novel Father of Frankenstein (which was also the source material for the film of the same name ), the story is a blend of fact and fiction. Age, memory, fame, youth and loss collide in the story of the last few months in the life of English director James Whale. Whale director and creator of the first two Frankenstein films, had a moderately successful career in Hollywood which enabled him to live comfortably in Los Angeles. He was also openly gay. But following a series of strokes in his sixties, he lost his ability to prevent painful memories from his past flooding back. And without giving too much away, his most successful creation, the monster in Frankenstein, seems to become something far more personal.
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