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Same but indifferent: Laughing Boy @JStheatre

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Stephen Unwin's Laughing Boy, adapted for the stage from Sara Ryan's Justice for Laughing Boy, is a powerful and moving story about a mother and a family that keeps asking questions despite the victimisation and harassment from the institution - the NHS - that was supposed to protect her son. It's a moving, celebratory account of a life cut short due to indifference held together by a remarkable performance by Janie Dee as Sara. It's currently playing at the Jermyn Street Theatre .  Sara's son, Connor, is a little different to others. He is fascinated by buses and doesn't like things like loud noises. But as he becomes an adult, his seizures and unexpected outbursts mean the family turn to their local NHS for support. Little did they realise they would receive such little care from a service that was institutionally incompetent and covered up thousands of unexplained deaths of people with disabilities, including Connor's. The search for answers about why he
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Catholic tastes: A Picture of John Gray

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The Picture of John Gray imagines the life of poet and potential inspiration of Oscar Wilde's The Picture of Dorian Gray. It is a fascinating and thought provoking piece that recreates the period where the arts and Aestheticism were at the forefront of London society, and then how almost overnight it would all change as Oscar Wilde is imprisoned for acts of gross indecency. The piece opens where John Gray has been left by Wilde and meets Marc-André Raffalovich , a writer, critic and supporter of the arts. They become lovers but following the trial of Oscar Wilde and the fracturing of their community of artists, Gray finds his calling and spiritual meaning through the sanctuary of the church and becomes a priest.
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Intimate history lessons: Dessa Rose @TrafStudios

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Dessa Rose is a musical that tells of the unlikely friendship that forms between a white woman and an escaped slave in the American South in 1846. Based on the book of the same name by Sherley Anne Williams , it feels at times to be an epic history lesson and melodrama, but the performances and the intimate space of Trafalgar Studios 2 make it a surprisingly enjoyable and emotional musical evening. The story is based upon two separate events; a woman who took part in a slavery revolt and the story of a white woman who took in runaway slaves. When the piece is focused on these two stories, it is incredible. Particularly as the roles are played by Cynthia Erivo and Cassidy Janson . Both have big voices and convey a level of emotion and intensity that has you transfixed on them.
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Changes: Drag King Richard III @RiversideLondon

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Drag King Richard III, playing this week at Riverside Studios, tackles Shakespeare and transgender issues with mixed effects. But you can't fault the performances and the style of the piece. There are some clever moments that use music and dance to bring out the issues of the story. Even more remarkable is that the two performers - Anne Zander and Bonnie Adair - had only a few days to work with the material following some last minute cast changes. Pieces from Shakespeare's Richard III are woven into this exploration of transgender identity, giving new meaning to the text, but perhaps greater attention on characterisation and less on the Shakespeare text might have made for a more rewarding evening.
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Bloody previews: Grand Guignol

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The Theatre Royal Plymouth's production of Carl Grose's Grand Guignol is to play in Plymouth and the Southwark Playhouse this October. A Grand Guignol play (which takes the name from the theatre in Montmartre that produced them), are designed to give you thrills and chills. Madness, murder and a healthy dose of gruesomeness prevail throughout. And no doubt it all looks delightful when offset against some white tiles or a red curtain. The piece plays with these conventions and centres on the original Parisian theatre company and its members, combining black comedy and blood spattering and psychological thriller. One to watch out for... Perhaps literally... Photo credit: 2009 Production by Manuel Harlan
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Freaks and previews: London Wonderground

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Some lovely photos have been released highlighting some of the strange and unusual people you are likely to encounter on the South Bank this summer as part of the London Wonderground .  As part of a boardwalk freak show, presenting some of the world’s strangest acts and unusual entertainers, an international cast is being assembled to recreate the sideshow with a modern twist. Hosted by The Space Cowboy, and The Lizard Man voted by Ripley’s Believe it or Not as The Strangest Man Alive (which must be a pretty competitive award nowadays), it will be running through the summer until 31 August. Photo credits: The Space Cowboy, The Lizard Man, Zoe L'Amore, Missy Macabre, Heather Holliday and Danik Abishev at London Wonderground. Photos by David Jensen
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Previews and drag: Drag King Richard

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Following a run at the Bristol Shakespeare Festival, Stance Theatre presents a powerful Richard III ahead of other summer blockbuster productions. Drag King Richard III explores switching gender as lead character Laurie embarks on the challenging journey of transitioning from female to male. Life in the wrong body is explored through Shakespeare’s deformed villain and the long term friendship Laurie has with La Femme - a butch lesbian who enjoys the trappings of femininity when opportunities arise. The play weaves classical dialogue through contemporary text, and seduction lines are quipped over a sexually charged Tango sequence... It's on for a week at Riverside Studios from 28 July... Tickets are available from Riverside Studios .
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This filthy world: Bakersfield Mist

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Bakersfield Mist and its tale about forgeries in the art world might not be the most original piece of theatre, but the opportunity to see Kathleen Turner and Ian McDiarmid work together makes it a memorable night at the theatre. A fan of her performance in Serial Mom, I have a soft spot for any opportunity for Kathleen Turner to  say filthy words. After a few minutes, when she said fuck about ten times I knew this was going to be a show I was going to enjoy. But others may not be so indiscriminating.
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Previews: New pictures of Shakespeare In Love

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First images of the stage adaptation of Shakespeare in Love have been released this week. 
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In rehearsal: Porgy and Bess

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Rehearsal images have been released for The Gershwins’ Porgy and Bess which runs at Regents Park Open Air Theatre from 17 July to 23 August. In this production dialogue will replace the sung recitatives, but the loss of some of the original material might be offset by the glorious surrounds of Regent's Park Open Air Theatre. While it is unlikely to feel as warm as South Carolina in the summer, it will no doubt feel a lot more atmospheric than a traditional theatre space.
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More new legs (and wigs and breasts): Manon Lescaut @RoyalOpera

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Puccini's opera about true love somewhat prevailing over material possessions is given a stylish and slightly filthy update in Jonathan Kent's production at the Royal Opera . But what makes this production memorable is the pairing of Jonas Kaufmann as Chevalier Des Grieux and Kristīne Opolais as Manon. The steamy scenes and vulgarity are balanced against the soaring vocals from this pairing. Perhaps if it were any other duo it might have been a pedestrian evening, but together with the orchestra of the Opera House conducted by Antonio Pappano, the elements seemed to come together to give this work a fresh perspective.
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