Paul in London

What’s hard is simple. What’s natural comes hard, so the lyrics in the title song, Anyone Can Whistle. But this production,  currently playing at the Southwark Playhouse , takes one of the more challenging Sondheim musicals and makes it seem effortless and straightforward to enjoy. And they deliver it with endless enthusiasm and panache. It’s a bonkers story about a town that comes up with a miracle to attract tourists and improve its prospects. Up to this point, the only thing going for it was its sanitarium for the socially pressured (otherwise known as the Cookie Jar). These people, known as the cookies, are non-conformists. Yet they seem to be happier than anyone else in the town. But as the show progresses, its none too subtle digs at religion, authority, politics, and conformism can make your head spin about what institution it is taking on.  The best thing is to let much of the absurdist story fly over your head. After all, even Sondheim critiqued it for being too clever . But t

It’s tempting to write about The Marriage of Alice B Toklas by Gertrude Stein, which is actually by Edward Einhorn since the former is the title of the play, pretending to be Edward Einhorn who is pretending to be Gertrude Stein. Therefore, I would have to pretend to be Einhorn pretending to be Stein pretending not to be a theatre writer covering the proceedings. But in the interests of clarity and sanity. I won’t be pretending anything further. Except to pretend I was familiar with the works of Stein, which also after seeing this piece, I feel I don’t have to pretend as much.  The novelty of this play, where everything is in the style of Stein, will either amuse or irritate, probably depending on how familiar you are with the works of Stein or willing to embrace them. And the basic facts of their lives are there. However, within the circular dialogue, a story emerges of a woman in the shadows of a genius. It’s making its covid delayed premiere at the Jermyn Street Theatre .  The short

In The Woods, conversations drift into seemingly random discussions about seagulls, raccoons, or aliens. Perhaps it's due to the isolation from being set in a remote cabin. But it's also a heterosexual play, so that means there's a man, woman and inevitable conflict. But even if there aren't any surprises in this revival of David Mamet's 1977 work, the performances and the staging keep you focussed on it like you're a voyeur in the proceedings. It's currently playing at the Southwark Playhouse.  The Woods is set entirely at a secluded cabin on the porch of a summer house. It's early September, and Nick seems to have been keen on taking things to the next level with Ruth. Ruth seems keen too since she took the trouble to buy a gift for Nick. But slowly, from Dusk through the night, things begin to unravel. Things that are banal and trivial become blown out of proportion. Sex becomes complicated, and ultimately there's an outburst that takes everything

Truth To Power Cafe is a part digital and live performance event that’s coming to Huddersfield and South Norwood in London later this month. Using memories, poetry, images and music, it takes stories from local people at each location, asking the question who has power over you and what do you want to say to them?’ Be it parents, leaders or a bossy partner. It’s a chance to tell them the truth for once. The concept is a means of conflict resolution and a way of saying something to those in a position of trust or authority who may not want to hear it. Created by Jeremy Goldstein, his experiences frame the start of each performance. He uses poetry, music and performance to talk about his struggles with his father before he invites others to come forward and share their experiences.  Truth to Power Cafe is written and performed by Jeremy Goldstein with Henry Woolf. The event has completed a run as part of Rotherham’s Children’s Capital of Culture Launch. It heads to Lawrence Batley Theatr

To coincide with LGBT history month, a digital stream of 'Is He Musical?' is available to stream. A new short musical by Jude Taylor, it covers the secret life of queer friends who partied in 1930s London and is available to stream now until 6 March. Just like the other phrase, "friend of Dorothy," "Is he musical?" is code. After all, it's from a time when the police could arrest you some vaguely defined immorality. The piece doesn't explore why being musical is code for being gay or queer, but a response on Quora from a straight ex-military musical loving man is as good an explanation as any. The respondent suggests that musicals emphasise emotions, which parallels gay men who stereotypically live a flamboyant life.   So with that in mind, the piece is set in London's West End in the 1930s. Lawrence (Barry O'Reilly) arrives on the scene and befriends Wilfred (Teddy Hinde). But the parties and self-indulgent lifestyles can't hide the di

The message in Rain and Zoe Save the World is topical and perhaps foretelling. This new play by writer Crystal Skillman sees a future in which young activists do more than block roads to protest climate change. They are taking direct action by blowing up things and taking facilities offline even if they risk their lives and become outlaws. It's currently playing at the Jermyn Street Theatre .  It could be easy to dismiss the piece as a bit of a far-fetched coming of age story. But you could also see it as a harbinger of what is to come as pollution, wild weather and pandemics become part of everyday life. Something has to give, and the play suggests that a new breed of teenage activism might be the subsequent logical response.  We open on with sixteen-year-old Zoe (Mei Henri) in her backyard. Suspended from school after an incident, she convinces her recently arrived neighbour Rain (Jordan Benjamin) to take his bike with them to drive across the country to find her mother at a prot

  A Kate Bush tribute for someone who isn't a Kate Bush fan might seem a daunting night at the theatre. Will the in-jokes fly over the head? Yes. Will the fear of being in a confined space of Kate Bush fans be overwhelming? Well, not if you brush up on a playlist beforehand. But An Evening Without Kate Bush is an initiation into the world of fandom and her music. Kate Bush, the phenomenon is equally revered and lovingly teased in this hour-long celebration of her music and cultural impact. It's currently playing downstairs at the Soho Theatre .  Presented by Sarah-Louise Young, you don't have to be a Kate Bush fan to appreciate her work. And you'll be soon joining in to howling along to the Hounds of Love and partaking in all sorts of participatory theatre (in as much as socially distant theatre allows). And along with the songs and trivia, you learn what it is to be a Kate Bush fan (or fish as they are known).  Young is an expert teacher in the crazy world of Kate Bush

Charles Court Opera are back with their boutique panto season at the Kings Head Theatre . This time they are taking a story of epic proportions with Beowulf. It helps to know the epic poem. It helps to know various pop cultural references and songs thrown into the mix. Alternatively, you can let much of it sail over your head and enjoy the inspired silliness of it all. And indeed, that’s more than anyone could want out of a pantomime? It’s currently playing at the Kings Head Theatre.  In this version of Beowulf, the hero (Matthew Kellet) has a bit of an image problem. And not just because of his 80’s inspired hair. He expects to be the hero to save the day, but Princess Hrothmund (Julia Mariko Smith) can take the monster Grendel on her terms. Grendel doesn’t seem to be much of a monster either. Played by Philip Lee, he wants to make friends. His mother is another matter. There’s some inspired messing about with both the tale of Beowulf and the conventions of pantomime. The principal bo