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Belters and bohemians: Opera Locos @Sadlers_wells

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At the start of the Opera Locos performance, the announcement says that they really are singing. You could be forgiven for wondering that, given the amplification turns up the backing track and the voices so loud that you can't always tell what's real. But this is a mostly harmless and slightly eccentric blend of opera classics fused with the occasional pop classic. However, recognising the pop tunes would help if you were over a certain age. The most recent of them dates back twenty years. It's currently playing at the Peacock Theatre .  Five performers play out a variety of archetype opera characters. There's the worn-out tenor (Jesús Álvarez), the macho baritone (Enrique Sánchez-Ramos), the eccentric counter-tenor (Michaël Kone), the dreamy soprano (María Rey-Joly) and the wild mezzo-soprano (Mayca Teba). Since my singing days, I haven't recognised these types of performers. However, once, I recall a conductor saying he wanted no mezzo-sopranos singing with the s

Opening tonight: Neville's Island

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The West End production of the comedy Neville's Island opens at the Duke of York’s Theatre tonight, Tuesday 21st October. Following its run at the Chichester Festival last year, the show is booking to Saturday 3rd January 2015.

Old doge: I Due Foscari @TheRoyalOpera

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The Royal Opera's production of I Due Foscari which opened last week is a chance to see Plácido Domingo in an age-appropriate role. Verdi's opera is intriguing for its use of leitmotifs for each of the principal roles, but lacks much dramatic fire, other than to see the predictable  tragedy of an ageing ruler weakened and lose everything. Thankfully it is short but it is also give much more interest with some star power and seems a perfect vehicle for Domingo. When his voice was at his strongest, you could also be forgiven for thinking he was back in tenor territory with its rich and bright sound. And at 73, it is an event to watch see such an experienced master at work.

Songs of love war and death: Jacques Brel is Alive and Well and Living In Paris @CharingCrossThr

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The songs of Belgian singer-songwriter Jacques Brel are given a slick and lively treatment in Jacques Brel Is Alive and Well and Living in Paris, currently playing at the Charing Cross Theatre . Brel may be dead for nearly forty years, but under the direction of Andrew Keates and with a terrific cast comprising of Eve Polycarpou , Gina Beck , Daniel Boys and David Burt , Brel's complex songs are given a fresh new perspective and lease of life. Jacques Brel Is Alive and Well and Living in Paris is a musical revue that dates back to the late sixties. It was an opportunity to present to English-speaking audiences the world of Brel with translations by Mort Shurman and Eric Blau, which are considered to best capture the spirit of Brel. There is no particular story that holds the songs together; the performers move about the stage and amongst the band without saying anything. But over the course of the evening you become acquainted with Brel's song (each are complicated enou

New pics from @memphismusical

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New production images have been released for Memphis the musical , which has its opening night on Thursday 23 October.   Led by Beverley Knight as club singer ‘Felicia Farrell’ and Commitments star Killian Donnelly as radio DJ ‘Huey Calhoun’ it follows the fame and forbidden love of a radio DJ who wants to change the world and a club singer who is ready for her big break. And looks like it has some snappy dance numbers too... Pictures by Johan Persson.

Singalong politics: Albion @bushtheatre

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You would not expect karaoke and far right British politics to go so well together, but in Albion , currently playing at the Bush Theatre , they seem inexplicably linked. The cast break out into songs throughout the piece, but instead of singing for joy what emerges instead are thoughts of isolation and fear. Chris Thompson's new play looks at the rise of the new far right in modern Britain at the home of an East End boozer. The cleverness in the piece is not the interwoven songs as if you're watching a night of karaoke down at the pub, but how the politics and motivations are presented within their context and without judgement. You may leave the theatre feeling slightly challenged by some crafty arguments and giddy from some terrific singing. 

Play ball: Damn Yankees @LandorTheatre

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Damn Yankees at the Landor Theatre is one hell of a fun, sexy show. A great cast of dancers and singers give this show about a man who sells his soul to get on his beloved baseball team (and give them a chance of winning) new legs and balls. It also helps to up the ante with the sexiness with some healthy doses of cleavage and legs (and that's just the men). The musical is a retelling of the Faust story set in the 1950s when the New York Yankees dominated the game.

Life among the poppies: Shoot I Didn't Mean That / The Last Days of Mankind @Tristanbates

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Is it okay to smile and take a selfie when you visit a memorial or make a nazi salute gesture in Austria? Maybe even write something glib in the visitors book at the Anne Frank museum ? If you did not know the answer to these questions, Shoot I Didn't Mean That starts to explores the implications of doing things like this. Catriona Kerridge's dark comedy looks in to the strange and surreal downfall of four women as they become fascinated and then obsessed by the politics of The Great War.

Previews: Memphis in Rehearsals

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Rehearsals have now begun for the West End production of hit Broadway musical  Memphis , which will have preview performances at the Shaftesbury Theatre, London from 9 October 2014 with Opening Night on 23 October 2014. Winner of four 2010 Tony Awards® including Best Musical, the show is led by multi award-winning recording artist Beverley Knight as club singer ‘Felicia Farrell’ and stage star Killian Donnelly as radio DJ ‘Huey Calhoun’. With Rolan Bell as ‘Delray’, Tyrone Huntley as ‘Gator’, Claire Machin as ‘Gladys’, Jason Pennycooke as ‘Bobby’ and Mark Roper as ‘Mr. Simmons’

Wicked thoughts: The Widowing of Mrs Holroyd @OrangeTreeThtr

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The Widowing of Mrs Holroyd at The Orange Tree Theatre is an exciting start to new season at the Orange Tree Theatre. The audience is made to feel as if they are eavesdropping on the drama in this working cottage where a family is falling apart. Set in the Nottinghamshire mining community in 1914, DH Lawrence has created a moving piece of working class woman in an abusive relationship. After an evening where he brings home two ladies after a night of drinking she wishes he was dead. She soon gets her wish and then suffers guilt.

Father knows best: Wingman @sohotheatre

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Father-son comedies have never quite felt so weird as they do in Wingman , Richard Marsh's new take on strained and odd family relationships having an early slot at the Soho Theatre this month. Marsh, a writer of Fringe First winning Dirty Great Love Story and Radio 4 show Love & Sweets, has crafted a story that is part dialogue and part poetry that has a surreal comic effect in describing his dysfunctional relationship with his dad (played by Jerome Wright). Mum has died but after twenty years apart they reunite at her graveside. And it is an opportunity for dad to reunite with the son he left twenty years ago. And dad suggests after seeing that his son is struggling with women that perhaps they could socialise together and he could be his wingman . But that means the son has to get over his issues of abandonment and general hatred of the man...