Paul in London

It seems like a great concept: after many rejections from Vienna's art school and a botched suicide attempt, Hitler wakes up in the Big Brother House. But what could pass for a five minute sketch is dragged out for an excruciating seventy minutes with few laughs.

The Long Road South at the Kings Head Theatre takes the period of the 1965 civil rights marches and distills it into a small character study. But the pleasure from this piece is in its humour and strong performances. Not much is happening in the summer of 1965 in Indiana. It is hot and the house of the Price family needs looking after. And over the course of the next ninety minutes, it becomes clear that it is not just the hedges and the grass that need trimming.

Opening Sims Reed Gallery’s 2016 programme is an exhibition of chalk pencil drawings by artist Aaron Yasmin. Known for his abstract paintings and elegant colour pencil drawings, in Lucky Strike Yasmin takes inspiration from American cultural history to create a series of striking images. Taking inspiration from Lion Match Company’s mid-twentieth century feature matchbooks, these drawings reflect the rise of America’s consumer culture and how small matchbooks were used as tools to influence purchasing habits. The drawings evoke a glitzy bygone era... When smoking was so glamorous.

I finally caught up with Kinky Boots , which is currently playing at the Adelphi theatre in London. The show is the Full Monty meets Priscilla Queen of the Desert. It's a show with terrific songs, great cast and fabulous outfits. However the story is a bit predicable. It derives its formula plot from the film of the same name. But thankfully as an added addition are a collection of songs written by Cindy Lauper that range from folk, pop and disco. On top of this are some very impressive (albeit kinky) boots.

Botallack O'Clock brings to life the creative struggles of Roger Hilton in a funny and dreamy production. Insomnia has never seemed so inspiring and lonely as the dead of night comes to life. Towards the end of Hilton's life he turned to producing works using poster paint on paper. He worked mostly throughout the night on these works, along with writing letters to his wife and various other musings. This piece brings together these items to explore his struggles and his demons.

Perhaps the central message in Grey Gardens is that no matter what you do, no matter how much you fight it, you will turn into your mother. Particularly since Jenna Russell (in a a star turn) plays both Little Edie and Big Edie in this show, based on the the Beales of Grey Gardens It’s only early in the year, but this has to be one of the funniest things to happen on stage in London for 2016. It also serves as a wonderful vehicle showing just how darn funny Russell can be. Grey Gardens is a musical based on the documentary of the same name. The documentary, released in 1975, caused a sensation with its frank depiction of two old cat women living in squalor with cats and raccoons. They also just happened to be related to Jacqueline Onassis.

Cute puppets and terrific performances can’t disguise The Lorax , currently playing at The Old Vic, from being a bit of a joyless. It doesn’t quite meet thneed for entertainment at Christmastime. Something seems lost in the translation from Dr Seuss’s simple story about the rise of industry over nature. There is plenty to keep you occupied with bursts of colour and great performances, but it does not make a particularly memorable evening out.

The Wasp is the perfect antidote to all that Christmas cheer. A tense, psychological thriller with a story that keeps you guessing where it is going to head to next. It is playing downstairs at the Trafalgar Studios for those who dare to see it. Written by Morgan Lloyd Malcolm , the story is about two women who were once school friends, but drifted apart. For good reason. Twenty years on Carla is living hand to mouth, raising four children with a fifth on its way. Heather has a successful career, a husband and a beautiful home. Heather has got in touch with Carla through social media, and with a wad of cash asks her to kill her husband.

Hangmen is Martin McDonagh's first new work on the London stage in a decade. But something is unsettling about this commentary on mob mentality and nostalgia. It’s grim world where the hero is the second best hangman in the country. And the smell of cigarette smoke and stale beer permeates the air. Well you don’t smell the beer but there is so much smoking on stage it wafts into the audience. It is 1963 when the show opens. A prisoner is desperate to delay his execution by any means possible. But Harry Wade, the resourceful and efficient hangman, keeps things on track. The scene is hilarious right up to the moment when the trapdoor opens and you hear his neck snap. Fast forward two years and Harry is running a pub in Oldham. Capital punishment has been abolished. A cub reporter from the local paper is chasing him for an interview. Still, he has his regulars at the pub. They are like his fans, clinging on to stories from the old days as if capital punishment was a sport.

Kitten in Heels, playing at the Lost Theatre , takes the Dick Whittington pantomime and adds lashings of filth and smut. It's a naughty night out where the King Rat bears an unusual resemblance to Theresa May, and Dick's love interests is more interested in buying lemons. But to really appreciate this show you need to be imbued with plenty of Christmas cheer. There is a bar both inside the theatre and outside of it to assist, which may help overlook the slow pacing and the amateurish production. Plenty of audience members were making the most of the bars, but the effect was that they were making their own entertainment.