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The agony and the misogyny: Banging Denmark @finborough

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Banging Denmark, the comic play by Van Badham, answers the question, what lengths does a misogynistic pickup artist go to date with a frosty Danish librarian? It may be an uneasy farce given the subject matter, but it is made more palatable by the cast assembled to convince you of it. It's currently having its European premiere at the Finborough Theatre .  It opens with Guy DeWitt (Tom Kay) at one end of the stage. His real name is Jake, and he's a part-time podcaster whose expertise is misogyny and playing the role of the pickup artist. That is, someone who attempts to coax women into having sex with a mix of flattery or manipulation. His podcast attracts a variety of involuntarily celibate men (or incels), so call in asking for advice. And while he gives the impression of living the high life, he is in a grimy flat strewn with empty pizza boxes.  At the other end of the stage is feminist academic Ishtar (Rebecca Blackstone). She lives out of the photocopy room, losing all her
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Odd Shaped Balls Preview @ORLTheatre

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Now playing at the Old Red Lion theatre is Odd Shaped Balls. It's a play about an outed Rugby Player James and the fallout created from it. Odd Shaped Balls is a one man show that tackles the issue of homosexuality in sport and probes into why it's such a big deal in the first place. And ultimately, isn't it more important how you play the game and work as a team? Matthew Marrs plays James Hall. He has the world at his feet as a professional rugby player but after people find out his sexuality, he finds his life changing dramatically. James has to decide whether he has the courage to not only be true to himself, but act as a role model for others.
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A glass half full: A Twist of Lemmon @St_JamesTheatre

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Every son probably has imitated their father at some point (either intentionally or not). But when your dad is actor Jack Lemmon, you know this is going to be a fascinating night out. Based on his memoir of the same name, A Twist of Lemmon at the St James Theatre studio is Chris Lemmon’s way of giving us a little bit of insight into what it was like growing up as the son of a big Hollywood star. With some simple projections and footage from his career, Chris’s one man show brings to life his father. His mannerisms, his movies, and most of all, his relationship with his son. It is an evening of gentle storytelling, but clever in how it describes not just the life and times of his father, but their at times complex and difficult relationship.
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Kitchen sink dramas: Knife Edge @BigHouseTheatre

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Chicken! Chicken and chips! Chicken! Chicken and chips! Chicken! Chicken and chips! Chicken! Chicken and chips! Early on in Knife Edge, the cast bursts into chanting this. Soon there is a driving percussion backing it and it sounds like it is not just a call to eat but a way of life. And so unfolds a tale written by David Watson and directed by Maggie Norris about a girl with big dreams and more than a few issues. The piece is produced by The Big House . It is a charity that helps young people in care to fulfill their potential. Almost half of all prisoners under 21 have been in care and the charity uses drama, mentoring and support to tackle breaking this cycle. Over 12 weeks they developed the piece and the cast - most have never acted before - worked to devise the production.
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Cooking with gas: Kenny Morgan @ArcolaTheatre

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Gay angst, cigarettes and gas. Kenny Morgan at the Arcola Theatre re imagines Terrence Rattigan’s play The Deep Blue Sea as how things might have happened. The suicide of bit actor Kenneth Morga n may have been the inspiration for this work about a woman abandoned by her alcoholic younger lover. Here Mike Poulton takes the story and places it in gritty, closeted post war Camden. After a decade of living in a closeted relationship with Terrence Ratigan, Kenny Morgan leaves him for a young bisexual actor, Alec.
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Loyal and obedient: A Subject of Scandal and Concern @Finborough

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John Osborne's incisive look at freedom and intolerance is given a fresh look in this resourceful production playing for a short run at the Finborough Theatre . Originally written for television in 1960, simple staging and riveting performances will have you transfixed. The story follows George Jacob Holyoake, the last man to stand trial for blasphemy in England. He is played here by Jamie Muscato who gives the role a dark intensity and determination as a man whose world crumbles around him while he holds onto his beliefs.
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Lost and found: Stone Face @Finborough

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Stone Face by Eve Leigh, tackles the subject of abuse and recovery in a sensitive and humorous way. It is currently playing at the Finborough Theatre . With its gentle storytelling, it draws you into the story and allows the performers to shine. Inspired by true events, the story revolves around Catherine. Found after her mother killed herself, nobody is sure if she ever left the one bedroom flat they shared. She can neither walk nor speak. It starts with her receiving medical care thanks to a tabloid newspaper campaign that manages to finance it. Catherine's half sister Ali, her doctor and a tabloid journalist are the only people in her life. Over the course of roughly ninety minutes we are drawn into a world of lost children, mental health and isolation.
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Tits and Teeth: Devilish! @LandorTheatre

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Strong performances and a marvellously silly premise can't overcome Devilish feeling not much of a guilty pleasure. Currently playing at the  Landor Theatre , the venue has been the home of a number of inspired (if a little rough around the edges) new works or fresh revivals of older ones.  With Devilish, an interesting premise did not lead to a particularly engaging show. The paper thin plot and various superfluous characters and songs made it a tough night. And for a show with cardboard characters, it takes itself a bit too seriously.
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Monkey Business: Frank Sumatra @TheatreN16

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  Frank Sumatra is a funny piece of monkey business playing at the N16 Theatre, now confusingly situated in Balham.  The audience that finds its way to the theatre at the famous Bedford pub in Balham will be treated to an amusing piece of theatre presented as a live radio play.  The piece focuses on Bev and Keith. They're a nice, do-gooding young couple trying for a baby. They only eat organic, they separate their recyclables and so on. They also briefly adopted an orangutan in a Sumatran sanctuary. But despite letting the direct debit on the sponsorship lapse after a few months, the orangutan shows up on their doorstep one day and then starts wrecking havoc on their lives as he first eats them out of their organic food, and then starts behaving like a moody teenager. 
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Reminder to get writing: The Adrian Pagan Award 2016

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The Adrian Pagan award is back for a third year. If you think you’ve got what it takes to address the state of the nation rather than reading random blogs on the interwebs, then this might be for you. The King’s Head are looking for directors, producers and creative teams to pitch plays that capture the current mood in an exciting, thought-provoking and entertaining way. Other than that, anything goes - new writing, revivals and musicals... They will take anything that pokes them the right way. The winning company will receive a full King’s Head production budget to produce their show at the venue. Applications are open until 31 July. To enter, you need to download an application from the King’s Head website and it by the deadline.
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On long runs and intervals: 90 minutes straight through

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When is too much of a good thing, too much? I love going out to the theatre, but there is nothing more I love than hearing that what I am seeing is ninety minutes straight through. The fun of going out, the magic of theatre, brilliant performances, terrific writing... All in an hour and a half. I was thinking about this during the week when at The Maids at Trafalgar Studios I misread the play length. I thought it was one hour fifteen but it actually was one hour fifty. "Do make sure you go to the bathroom beforehand," I thought I heard the usher say in a motherly voice. I'm sure they didn't say that but that is what I heard. The Maids is a stylish new translation where two maids plot macabre ways of killing their mistress. It is a new translation of the Jean Genet play by Benedict Andrews and playwright Andrew Upton. It was first staged by Sydney Theatre Company in 2013. In this production Uzo Aduba (from Netflix’s Orange Is the New Black) and Zawe Ashton
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